The best kind of tribute
by TheJackal15 on 11/25/10Pantages Theatre - Los AngelesRating: 5 out of 5This show, if you're not familiar with it, features Jason Bonham, the son of the late Led Zeppelin drummer John Bonham, playing the band's music as well as home movie clips showing the private side of John Bonham.
I went into this with a mixture of excitement and trepidation. I've studied Zeppelin like some people study the Pyramids, so I knew there would be dork-level kicks in it for me whether the music was good or not. I was worried, frankly, that the music would be a letdown. At Led Zeppelin's final reunion show in 2007, Jason Bonham performed with the three surviving members, and it was...fine. I wasn't blown away by his performance; his playing seemed much more studied than felt, though he'd clearly studied and prepared well. The people he's playing with on this tour are not famous musicians; in fact, he found the singer on Youtube. So, you can see why I went in mainly anticipating the video clips.
I'm happy to report that my knees are very sore, because I, like many of the crowd, spent the last half of the show dancing in the aisles. It was like a Zeppelin show in the best ways; it featured both acoustic and electric music (light and shade, as Plant would call it), and touched on musically rich obscurities as well as the hits. The arrangements were very close to the originals, but the playing was free and easy and had some improvisations thrown in (tight but loose, as Plant would call it) (I TOLD you I'm a dork). It was the opposite, in other words, of the 2007 Zeppelin show itself - this band felt the music more than studied it.
It wasn't perfect, mind you; Jason overplays at times, and the singer, though possessed of a fine voice, was the most imitative of the group. He was trying to BE Robert Plant rather than singing songs Robert Plant first sang. None of them tried to look like Zeppelin; the singer actually looked like Rob Halford. I think the best thing I can say is that you could close your eyes and believe you were at a Zeppelin concert; the music was the focus. With a lot of tribute bands, they spend so much time getting the look and the stage moves down that the music is almost secondary. If these guys could've played behind a curtain, I think they would have. It was all about the sound, and the sound was great.
Now for some dork-level things: Jason Bonham came out in a black bowler hat that looked an awful lot like the one Bonzo would wear on the '75 tour. I would really like to get an answer on this, but I don't imagine that'll be possible. The guitarist was exceedingly faithful to Page, gear-wise. A couple of the songs were based on arrangements from live albums, rather than from the record, even down to the vocal improvs that Plant used to throw in. These were the moments that made me smile, because they showed that Jason Bonham is as big of a Zeppelin minutiae freak as I am. I appreciate that.
Another good sign: I made it to paragraph six before even discussing the video clips I was most anticipating. These were both home movies and performance footage, with probably 60% performance. The most impressive was during "Moby Dick," where John Bonham is playing the song on-screen while Jason performs it live beneath him. Frequently, the playing was seamless - their arms were moving in tandem. It was the best kind of eerie, and really showcased Jason's ability, which is substantial. The best of the home movie clips came at the beginning of the second half of the show, in which Jason is shown as a child dancing along to a Gary Glitter song as his sister and Bonzo crack up on the side. It's a totally embarrassing clip, and major kudos to Jason for showing it to everyone.
The set list was a delight: It began mirroring the '73 tour, with Rock & Roll, Celebration Day, and Black Dog, then went backward to feature two little-played songs from Zeppelin's first album - Your Time Is Gonna Come and Babe I'm Gonna Leave You (with the guitarist playing both acoustic and electric guitars). The was followed by a wonderful Dazed & Confused, incorporating video of the band produced to look the way the Dazed & Confused did in Zeppelin's movie, "The Song Remains The Same." This was followed by two MORE rarities, What Is & What Should Never Be and The Lemon Song. The paucity of hits to this point made me think two things:
A) He's really trying to display the musicianship that Zeppelin had that gets lost behind the famous riffs.
B) Well, either that or Zeppelin wouldn't LET him do the famous songs.
The first half of the show ended with Thank You and Moby Dick, after which Jason said they would be back in 15 minutes (let me add here that this was a VERY tightly run ship - it was to begin at 8 PM, and it started at precisely 8 PM. The intermission was supposed to be 15 minutes, and they put a 15-minute timer on the screen. Very unlike his Dad's band, at times).
I thought that the bit following the intermission would be the encore, and was slightly put off by that. They'd played well, and it had been interesting, but it wasn't particularly long, and my ticket was $77. Thankfully, the second half of the show crushed all my concerns. They started off with Good Times, Bad Times, then played searing versions of four straight foot-stompers - How Many More Times, Since I've Been Loving You, When The Levee Breaks (featuring Jason's sister Zoe on harmonica), and The Ocean. It was during this portion that my knees began to hurt, because it was heavy, raunchy, funky...everything that's made Zeppelin run the last 20 years of my musical life. They then took it down a bit with Over The Hills and Far Away and the evening's biggest rarity, I'm Gonna Crawl - a song Zeppelin never played live and which I've never heard of any tribute band playing live. I still dug it, of course, and it allowed my knees some precious recovery time, because the three-song finale was the holy triumverate of Zeppelindom: Stairway, Kashmir, and Whole Lotta Love.
There was a wonderful moment during Stairway. At the beginning, most people were sitting down, but as the band approached the solo, there was an organic, almost frantic rush of people jumping to their feet. It seemed primal, even, and was another moment of silly grins for me in row ZZ, seat 209. Dorks will know that Plant in concert would add the line "Does anybody remember laughter?" after the Stairway lyric about laughter, and to his credit, the singer acknowledged this line without saying it - he simply held out the mike and let us do it for him.
I am certain that I will never see a Zeppelin show; Plant will never do it, and even if he did, it won't be what it was - no extended jams, no rockabilly inserts in Whole Lotta Love, no more joy. They're older now, and Plant in particular has been through too much tragedy to perform those songs free of cynicism. After all, the very basis for Jason Bonham's show is the death of his father, and Plant lost a son and almost his own life during Zeppelin's run. No, those days are over, and I think that was what I loved most about this show - it brought back that spirit that you can hear in all the old bootlegs, that smirk behind the vocals, the leering from the guitar. 20 songs, about 2 1/2 hours, hot music with nods to the dorks, dancing and grooving and singing along...not a bad way to spend an evening. Highly recommended and well worth the price.