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Tortoise Tickets

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About

Tortoise is widely considered one of the most influential music groups of the last 40 years, with a wide-reaching impact on the contemporary music scene. Pitchfork says: “Imagine a graphic showing all the bands the five members of Tortoise were in before they came together and then all the bands they went on to play with after. At the top of the funnel you have groups ranging from dreamy psych-rock to earthy post-punk crunch, including Eleventh Dream Day, Bastro, Slint, and the Poster Children; on the 'post-Tortoise' end are groups focusing on electro-jazz and twangy instrumental rock like Isotope 217, Chicago Underground, and Brokeback. In this graphic, Tortoise is the choke point, the one project that has elements of all these sounds but is never defined by nor committed to any of them. Instead, Tortoise floats free, a planchette moving over a Ouija board guided by 10 sets of fingers, where everyone watches the arrow float in one direction but no one is quite sure how it gets there or who is doing the pushing.”
The band, which originally formed in Chicago, comprises Jeff Parker, Dan Bitney, Douglas McCombs, John Herndon, and John McEntire.
Initially hailed as pace-setters of the then-emerging, so-called “post rock” sound, the Chicago Tribune called Tortoise’s sound “mood music that refuses to be shoved into the background, as inviting as it is challenging.” Releasing just seven albums since 1990 — including classics like 1996’s Millions Now Living Will Never Die, 1998’s TNT, and 2001’s Standards —Tortoise has steadily and intuitively evolved across its life, creating genreless music that is as timeless as it is ahead of the curve.
The band’s legacy goes beyond its recorded output, as well. Per the New York Times: “While Tortoise's albums have experimented with the editing and overdubbing possibilities of the studio, the band thrives performing in real time.” Rolling Stone deems Tortoise “a live marvel,” while Pitchfork further says the band’s performances reveal that “at heart, they’re a supremely fun band, wide open to all sorts of sonic possibilities.”

Setlists

  1. Set 1:

    1. 1.Vexations
    2. 2.Layered Presence
    3. 3.The Equator
    4. 4.Works and Days
    5. 5.Elka
    6. 6.The Catastrophist
    7. 7.I Set My Face to the Hillside
    8. 8.Promenade à deux
    9. 9.Dot/Eyes
  2. Set 2:

    1. 10.Axial Seamount
    2. 11.A Title Comes
    3. 12.Gesceap
    4. 13.Oganesson
    5. 14.Night Gang
    6. 15.Crest
    7. 16.Rated OG
    1. 1.Prepare Your Coffin
    2. 2.Dot/Eyes
    3. 3.Monica
    4. 4.In Sarah, Mencken, Christ and Beethoven There Were Women and Men
    5. 5.Works and Days (First known performance)
    6. 6.I Set My Face to the Hillside
    7. 7.Gesceap
    8. 8.Vexations (First known performance)
    9. 9.Oganesson
    10. 10.Eros
    11. 11.Ten-Day Interval
    12. 12.Seneca
  1. Encore

    1. 13.Tin Cans & Twine
    2. 14.Crest
    1. 1.New song; possibly "Vexations"
    2. 2.Monica
    3. 3.In Sarah, Mencken, Christ and Beethoven There Were Women and Men
    4. 4.Prepare Your Coffin
    5. 5.Dot/Eyes
    6. 6.New song; possibly "Works and Days"
    7. 7.I Set My Face to the Hillside
    8. 8.Gesceap
    9. 9.Oganesson (Live debut)
    10. 10.Minors
    11. 11.Ten-Day Interval
    12. 12.Eros
    13. 13.Seneca
    1. 1.new song, live debut—possibly "Vexations"
    2. 2.Monica
    3. 3.In Sarah, Mencken, Christ and Beethoven There Were Women and Men
    4. 4.Prepare Your Coffin
    5. 5.Dot/Eyes
    6. 6.new song, live debut—possibly "Works and Days"
    7. 7.I Set My Face to the Hillside
    8. 8.Gesceap
    9. 9.Along the Banks of Rivers
    10. 10.Eros
    11. 11.Minors
    12. 12.Ten-Day Interval
    13. 13.Seneca
  1. Encore

    1. 14.Tin Cans & Twine
    2. 15.Crest
  1. TNT

    1. 1.TNT
    2. 2.Swung From the Gutters
    3. 3.Ten-Day Interval
    4. 4.I Set My Face to the Hillside
    5. 5.The Equator
    6. 6.A Simple Way to Go Faster Than Light That Does Not Work
    7. 7.The Suspension Bridge at Iguazú Falls
    8. 8.Four-Day Interval
    9. 9.In Sarah, Mencken, Christ and Beethoven There Were Women and Men
    10. 10.Almost Always Is Nearly Enough
    11. 11.Jetty
    12. 12.Everglade
  2. Encore

    1. 13.Along the Banks of Rivers
    2. 14.Crest

Reviews

Rating: 4.8 out of 5 based on 17 reviews
  • The Tortoise Show was AMAZING

    by Stampy024 on 7/21/09Black Cat - WashingtonRating: 5 out of 5

    Hello there, i recently saw Tortoise July 19th at the Black Cat and it was awesome! The opener was Grey Reverend who was amazing as well, he is just a solo act who played acoustic and sang, i've never heard him before but he sounded great i bought his album. Then Tortoise went on and played songs from all their albums! Tortoise is such a unique band i've listenend to the albums so many times i never imagined it being played live and then i did and i was blown away! They even did 2 encores!!! So this show was one of my favorite shows so far!

  • Tortoise at Black Cat

    by luckyluckyluckylucky on 7/20/09Black Cat - WashingtonRating: 5 out of 5

    First rate musicianship, great crowd, two encores. Would see again.

  • Tortoise at the Tralf

    by Klaypersonne on 7/16/09Tralf - BuffaloRating: 5 out of 5

    Wow. That's all I've got to say. Seriously, though, it was a great show. I had a good view of the stage, just slightly stage left, close to the soundboard. Upon first arriving, the Tralf seemed rather empty, at least compared to the Explosions in the Sky show. There was no line at the door and it was easy to find a good seat. The crowd did trickle in, though, and by show time, the room was sufficiently filled. Lazlo Hollyfeld, the local boys, brought some appreciation from the audience. I've no idea how many songs they played, since many of them just blended together, but they played for 45-60 minutes. Most of the music was fairly grooving, upbeat stuff, although I was kind of surprised to see them all stick to one instrument each. I thought they were more variable. I liked their performance well enough, though it wasn't really stunning. Before their last song, the bassist, who seemed to be the band's spokesman, explained that they had been together for nine years and, whenever anyone asked them about the lack of a vocalist, they put on a Tortoise record, then said what an honor it was to share the stage with them. I expected a longer wait between the two bands, but within fifteen minutes, Tortoise came out to tune their instruments and then were back on stage to start playing in about ten more. The one-two opening of "Slim" and "Coffin" was perhaps a bit predictable, but great nonetheless, especially for getting the crowd going. With the transition from "Unknown" into "Dot/Eyes," it seemed clear that a majority of the crowd knew the band's back catalog and sent up a cheer nearly every time they recognized a song. "Minors" was a bit down tempo, fit well with the rest of band's songs and led nicely into "Eros" which really whipped the audience into a dancing frenzy (at least in as much as people will dance to Tortoise). "The Lithium Stiffs" flowed into "Crest," as was to be expected, riding momentum off the previous song. "Seneca," like "Eros," received a great response, showing that the Standards material was well-liked. Most of the crowd seemed to really get into clapping along with the band at the song's end, which I think went a long way towards them loosening up as the set progressed. "Gigantes" was my favorite of the new tunes brought out. It was very pretty and uplifting with some great distorted marimba lines and the sky blue projection fit in extremely well with the mood. Just before they played, John Herndon announced that they were trying out some of the new material, so it may be a bit sloppy, but that certainly didn't appear to be the case. The band then launched into "Swung From the Gutters," getting maybe one bar in before everything dropped away except the drums. Then Dan Bitney engaged in a bit of awkward, cheesy freestyling, calling out his bandmates' names and duties. Then "Swung From the Gutters" began in earnest, once again earning the band a hefty amount of applause both at the beginning and end of the song. "Charteroak Foundation" followed, rounding out the main set nicely, but not going over quite as well as the more recognized material. After a short encore break, the band came back on stage and Herndon announced that they were going to play "at least one more song." Turned out to be four, but I don't think anyone complained. The encore started with "Yinxianghechengqi" which, with its two bassists creating an awesome low end, shook the venue and revved everyone up for even more. "In Sarah, Mencken, Christ and Beethoven..." again wowed the audience, only to further be impressed by a stunning performance of "Monica." It seemed like the show would end on this rather high note, but once again, Herndon grabbed the mic and made as though to introduce the next song before trailing off and letting it speak for itself. Closing with "Salt the Skies" solidified the performance as one made of awesome and the entire crowd seemed to agree, launching into a raucous ovation when the first notes sounded. Overall, an amazing show, that, in my opinion blew last year's Explosions in the Sky concert out of the water. The only things that would have made it even better were if the band managed to slip "I Set My Face to the Hillside" in to the list and if there wasn't an annoyingly-voiced girl shouting through two or three songs on my right side part way through. Oh, and kind of surprised there wasn't a merch table. It would have been cool to snag a shirt and I was hoping the new album might be available. Oh, well.

  • Tortoise at Troubadour

    by nicefarts on 7/13/09Troubadour - West HollywoodRating: 5 out of 5

    Finally saw them after years of listening. They're still tortoise, and still the most unique & solid band around...

  • Tortoise and their beautifully executed set.

    by ihavethetortoisesetlist on 7/13/09Troubadour - West HollywoodRating: 5 out of 5

    A band with endless talent and two drummers, Tortoise played an unforgettable show last night at the Troubadour in West Hollywood. With a backdrop of home-made movies and ambient objects, along with a setlist from all over their musical spectrum, Tortoise gave the crowd what they wanted to hear, and with precision. They played older songs like TNT and Dot/Eyes, and played newer songs like High Class Slim Came Floating In from their new album. Could not be anymore more rewarding.

  • Sublime Experience

    by YoungLaMonte on 7/12/09Troubadour - West HollywoodRating: 5 out of 5

    Tortoise played a superb and sublime rock show last night at the Troubadour. I've seen them perform many times over the last ten years but this was the most intimate (500 max. capacity), loudest and most intense show yet. The crowd was very enthusiastic and Tortoise was clearly responsive to that. They played five tracks from the new record (opening with "In Walked Slim...") and a variety of tunes from the last 14 years. McEntire was in top form hamming it up big time with his crazed facial expressions. This of course added to the immense pleasure of the show. Can't wait to see them again.

  • torotoise amazed me!

    by cowabunga on 7/12/09Troubadour - West HollywoodRating: 4 out of 5

    I went to the show simply to take my younger brother and thought it would be another show that i would just be standing there, bored. However, after the first ten minutes, they had me moving and into the music. I was amazed at how talented they are and how welln put together the show was. I would definetly go see them again!