Ghost (USA movie, he dies) and Ghost (Japanese movie, she dies) were both good, but turn the same plot into a musical? It didn’t work for me. Both movies ran at about 2 hours each. Adding song and dance to an existing story usually adds another hour. The 2 p.m. matinee in Chicago on February 11, 2014, started late, had a too-long intermission, and still finished at 4:40 p.m. Something must have suffered, and more is sometimes less. Perhaps my senses were dulled by the immediate onslaught of projections, videos, and incoming or outgoing scrims. As the show progressed, these became more and more annoying, and none really contributed to the plot. The illusions were quite good, though the subway sequence felt uncomfortably long and convoluted. The special effect for souls going to a better reward was okay, and I hungered for what awaited the evil doers in this tale, but I was sorely disappointed.
Cast, orchestra, and stage crew were equal to their tasks. The songs were forgettable, even as they were being sung, and the dance sequences were generic and disappointing. For this story, I’d stick with the films. For spectacle, Phantom is across the street. On the brighter side, Ghost is playing in the Ford Oriental Theatre, and there isn’t a bad seat in the house except, perhaps, the far left and right dress circle boxes, and one could hardly ask for a more beautiful interior décor.