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Come From Away on Tour
The true story of the small town that welcomed the world.
Broadway's COME FROM AWAY has won Best Musical all across North America!
The New York Times Critics' Pick takes you into the heart of the remarkable true story of 7,000 stranded passengers and the small town in Newfoundland that welcomed them. Cultures clashed and nerves ran high, but uneasiness turned into trust, music soared into the night, and gratitude grew into enduring friendships.
Don't miss this breathtaking new musical written by Tony® nominees Irene Sankoff and David Hein, and helmed by this year's Tony-winning Best Director, Christopher Ashley. Newsweek cheers, "It takes you to a place you never want to leave!"
On 9/11, the world stopped. On 9/12, their stories moved us all.
Beautifully performed, with very interesting use of a lazy-susan circulating stage, and fantastic musicians. Pricy tickets, but a great show.
Loved the show. Laughs, tears and pure entertainment. Fast moving with so much energy. With minimal props they had you involved from the minute the show opened. My family and I loved it and would definitely love to see this show again. A++++ to the actors, musicians and all involved.
Play gad a great pace. No lull in the action. Kept you enthralled the whole time. Nice mix of music.
Come From Away was amazing! Cast did a fabulous job. They didn’t degrade my fellow Newfoundlanders. I would definitely see the show again and I would recommend it to anyone.
A must-see if you're Canadian (and if you're not!)!
I really didn't know what to expect from this show but had heard the rave reviews so I went. I was awestruck from the beginning and blown away by the town's ability to manage the logistics of coping with the passengers of approximately 36 airplanes all arriving at once. The kindness and generosity of the town's people was unbelievable. I found the show strangely emotional. I laughed, I cried and I felt proud to be Canadian.
I saw this in New York with the original cast and it was the best life theatre I have ever seen. The touring cast was a bit flat in spots, for me. Much of it had to do with uneven sound quality at the Vancouver Queen Elizabeth Theatre, where a quarter of the dialogue was muffled. But the performance had great energy and my only complaint was overdoing the Texan accent as well as the East-Coast Canadian accents to a point that the poor sound made some of the spoken and sung words unintelligible. Some obvious jokes were not even clear enough for much of my section on the mezzanine level, where other parts of the theatre were laughing because they could hear properly. The female American Airlines pilot was a blockbuster stand out on Broadway but not so with the Vancouver performance that I saw. Some of it was just the very higher character of the voice, and the sound issues, because I think the piece was performed well. I would see this performed again anywhere I can as I absolutely love the production. The writers are absolute geniuses!
Excellent play, great music, entertaining. Theatre was convenient and comfortable.