The Hounds Below, a new group formed by Jason Stollsteimer of the Von Bondies were the opening act for The Horrors show at the Magic Stick in Detroit. Mixing alt country with '80's Indie, the band whipped through a very enjoyable set which turned out to be their first gig! I'd highly recommend them. Second support, Crocodiles (from California, I think) showed all the promise of a band about to tear the roof of but, in my opinion, never quite delivered. I've read a lot about this band lately so I was looking forward to seeing them. Then again, I felt the same about The Soft Pack: loved the album, then felt a bit let down when I saw them live.
So much has been written about The Horrors dramatic volte-face from garage rock cartoon goths to krautrock-devouring shoegazers but it really is one of those "who knew?" moments. Aided by Portishead's Geoff Barrow, Craig Silvey, and video director Chris Cunningam (Bjork, Aphex Twin, etc), The Horrors have made a belief-defying leap of faith, immersing themselves deep within the dark, pulsating, cavernous, effects-laden world of, among others, MBV, JAMC, Joy Division and Can.
The power and scale of the record translates extremely well live and at times, even transcends it. So, witnessing the band in this new guise, do they mean it, man? They must have known, making such a sonic U-turn, that they were going to be put under the microscope and have their credentials double-checked. Well, I must say I'm convinced and I like to think I can tell when I'm being faked out. To make this kind of music and for it to come from a genuine place means not being afraid to leave space and there's canyons of it here. So what if the drums and bass pound relentlessly in Can-esque fashion on one note for 2 minutes before the vocals come in? Let that tension build! The set is, basically, the album although I believe they play at least one number from their debut (sorry- lazy journalism!) Nevertheless, it doesn't seem at all out of place with the rest of the set. The venue is less than half empty but we're all too mesmerized to care. To tour half-empty venues is frustrating (I've been there many a time) but, this is just what bands do. America is notorious for kicking many a UK band's arse due to it's sheer scale and magnitude and the distances between it's cities. Maybe The Horrors will never reach beyond cult status (unless they go emo on their third album!) but the main thing is they've made an extraordinary record that they're more than capable of replicating live. Horribly good.