Sleater-Kinney vs. Paramount's lousy PA
by KSonic24 on 11/26/19Paramount Theatre - SeattleRating: 4 out of 5Maybe it's time to (a) get a better PA system at the Paramount, or (b) stop booking rock bands there.
Sleater-Kinney's 11/23 show was marred by sound that mostly negated the contributions of supporting players Katie Harkin and Toko Yasuda, combining their guitar and keyboard parts into a muddy midrange blur with Corin's guitar. Most of the time, the only instruments that cut through the mix were the lead guitar and drums. I've seen S-K at similar-sized theaters elsewhere (Knitting Factory in Spokane; Masonic in SF), and the sound was crisp and distinct there, while the last performer I saw at the Paramount, Neko Case (hardly a loud rock act) late last year, also suffered from muddy sound. A premium venue like the Paramount needs to do better.
As for S-K, the 11/23 show was a strong but not transcendent performance. New drummer Angie Boylan was superb in the thankless role of replacing Janet Weiss, while Corin and especially Carrie looked happy and performed with passion. The material off the "controversial" new album came off strongly (except, oddly, for "Hurry on Home," which feels a bit flat live) and blended with the older songs well. The songs from "The Woods," even without Weiss, were highlights of the set, especially "The Fox."
But still, a certain sense of urgency was missing--maybe because unlike the 2015 tour, this show didn't feel like the possible last go-round for a great, mercurial band. Minus Janet, Sleater-Kinney now seems to be an ongoing project that can reconfigure at any time and in any form. And there's nothing wrong with that--anything Carrie and Corin do together is going to be a must-hear. But just a bit of the magic was missing on this night, with or without the Paramount's disappointing sound.