Rush R40 Live 40th Anniversary Tour
by laser991 on 6/11/15Nationwide Arena - ColumbusRating: 5 out of 5My third visit to Nationwide Arena and second time seeing Rush live in concert in what was a memorable, progressive-rock flavored experience, featuring two and a half hours of classic Rush music, a state-of-the-art laser light show complete with pyrotechnics, a fully-animated video backdrop flanked by video monitors on either side of the elaborate stage (featuring props from the Time Machine Tour), an energetic and finely-tuned band, along with an atmosphere of high-tech, new millennium rock and roll that, along with shafts of laser light, flooded the arena and could even be heard from outside the venue and well into the night.
From the moment the R40-adorned curtain went up before a zealous, capacity crowd, the excitement and anticipation of the audience was rewarded by a smoking 3-song suite from the Clockwork Angels album, backed by album-themed video and multicolored lighting that was synchronized with the band's performance, and at times even flashed in unison with its riffs and drum beats. Once again, I had an excellent view of the stage from the AEP Power Level, and about the only drawback from being so high up (aside from the cramped, miniaturized seating) was a lackluster mix in which it was tough to discern the multitude of "sound events" from one another. This was first noticeable as the band launched into "Far Cry" (Snakes and Arrows) and the bass and rhythm guitars simply overpowered (or perhaps crushed) any live synthesizer samples that may have been triggered throughout the song. As the band segued into its first instrumental (The Main Monkey Business), the synth (samples) could be heard better for the remainder of set one, which included hit singles from Vapor Trails, Counterparts, Roll The Bones, Grace Under Pressure, and Signals; the songs "Distant Early Warning" and "Subdivisions" closed out the set and were highlighted by the original videos from 1984 and 1982, respectively.
Following a twenty-minute intermission, the curtain went up for a second time and the band re-emerged onstage, performing "Tom Sawyer", followed by "Red Barchetta" (accompanied by Moving Pictures-themed video animation) along with "The Spirit of Radio". These songs were by far the most crowd-participatory (unless you consider the overture of 2112) and there was no way I was sitting down for any of them. The marquee number of the second set for me was "Jacob's Ladder"-a song that the band had not performed live since 1980-and I was pleased to see Geddy perform all of the original synthesizer parts on his Roland Fantom-X7. He also sang remarkably well for someone who has been fronting the band for over forty years (and, yes, he still has plenty of high notes in his usable range along with all of his bass guitar chops). Following authentic renditions of Cygnus X-1 Book II (Hemispheres Part I Prelude) and Book 1 (from "A Farewell to Kings"), the band continued delving into its 1970's discography, performing "Closer to the Heart" and a spectacular rendition of "Xanadu", featuring a classical, English-themed stage setup along with double-neck electric and bass guitars and Geddy's (Little Phatty) Moog synth (which sadly has been separated from his X7 on this tour). And just when you thought the second set couldn't possibly get any better, the band closed it out with an abbreviated version of 2112, incorporating intergalactic video and another spectacular laser light show, which provided an out-of-this-world space odyssey for a jubilant audience.
For the encore, Rush opened with "Lakeside Park" (from 1975's Caress of Steel album) - a fitting summer anthem that echoed throughout Nationwide Arena and could even be heard from outside its walls in the heart of the Arena District, on what was memorable, seventy-something degree night in downtown Columbus.