6/10...definitely subpar for these guys
by Yodajazzcat on 9/7/25MGM Northfield Park - Center Stage - NorthfieldRating: 3 out of 5Firstly, at 66 I am a long-time musician. I love the early Chicago stuff, and I love L&F. I saw them live in Newark, Ohio a few years ago and it was off-the-charts great. (That was when the had Serge on vocals and Sergey playing guitar). This review will probably sound like the night was terrible, and there were some fine spots, but this night there were more than a few things definitely off. The evening started uneven sound-wise, but it usually takes a song or two for the engineer to 'dial it in' with a crowd in the room. Unfortunately, that never happened for us.
The overall sound was not good from where we were sitting, which was in the middle section close to the aisle. We were also fairly close to the sound booth. I picked those seats on purpose thinking we would get great sound without the inconvenience of sitting in the middle of an aisle in case we wanted to go out for some reason.
Where to start...?
1. In my opinion, the overall volume could have been louder, but then again, that would not have been good based on the following issues...
2. The instrument mix and some of the instrument tones were not good. The keyboard player's Yamaha Montage (a great keyboard) piano patch was so thin it sounded like a cheap upright. I don't think that specific tone was a sound that was targeted for a specific song, either. Normally, if you're playing a 'piano' patch, you want it to sound like a piano of some sort. This didn't. It just sounded bad. I'm not sure, but I think his other board was a Nord, which sounded fine.
3. The guitar player is a beast, and he especially did a killer job on 'My Old School' and '25 or 6 to 4', but the mix on his guitar solos was uneven. And the 12-string he played for 'Only The Beginning' really sounded cheap. I mean BAD. There was no body to it, just like that piano patch, so it makes me wonder now if there was something screwed up in the low-midrange EQ(?)
4. Leonid's bass was almost nonexistent in the mix. He is an excellent bassist, and I love great bass playing (Peter Cetera, anyone?) so it was a shame not only that we couldn't hear it, but definitely couldn't FEEL it at all.
5. The vocals. Some of the vocals were so muddy that even with accents and knowing (most of) the songs, you were hard-pressed to make the words out clearly. They sounded as though they could have used some EQ subtraction at the right frequencies to clear them up. The one vocalist, Danil, (who apparently is newer) sang an EW&F song that I had never heard and honestly couldn't even tell what key it was in or the chordal structure. That vocal was so shrill it was uncomfortable.
6. Being a guitar player, I love Igor. Igor is one of the best drummers I have seen, and having a good rhythm section is as comforting as a warm bowl of chicken soup. But again, the whole drum set lacked OOOMPH! There was hardly any kick. (And if you're going to do a rather lengthy drum 'solo', why not do it in the context of some other instruments playing softly or sparsely instead of nothing but drums. That can get old quickly, no matter how good the drummer is.)
7. Ksenia was fine, but I can think of a lot of songs I would rather hear her do than 'I Say A Little Prayer'. I love that song with Dionne Warwick singing it, but that's not in her wheelhouse. Just my opinion, of course.
As I said, it may have sounded absolutely great in other parts of the building, but not from where we were. And I understand there is going to be some joking around onstage, having fun and some 'schtick', but I thought it was a little excessive. (Especially the sax player!) L&F is about great music being played live that, in my opinion, is better than what Chicago themselves put out these days, even with some Russian accents! It's definitely cheaper, too!