I first heard Karla Bonoff when she opened for Jackson Browne in Memphis about 35 years ago, and had not heard her live since, although I was quite familar with her recordings. I knew that she would have only a couple of musicians playing with her, and I worried that some of her more upbeat songs might not translate well to such a sparse ensemble. I was pleasantly surprised to find out that Karla and her songs have only gotten better with age. She's still trim and attractive, her voice is as clear as ever, and the renditions quite faithful to the original productions, despite having only Kenny Edwards and guitarist Nina Gerber to fill out the sound. Edwards did a fine job as the opening act, and provided solid vocal, bass, mandolin and guitar backup. And Nina Gerber is a revelation as a guitarist, obviously skilled enough to be a featured performer, but with an understanding of her role to provide fill to the others' instruments. If you've heard Karla before, you won't be disappointed to hear her again years later, and if you've never heard her before, then you should take in a concert and you'll hear a number of familiar songs that Karla wrote but which others made hits. My wife had never heard her, but was familiar with a number of the songs---this more mature style and presentation of the music was quite comforting---no flashing lights or drum solos or eardrum-splitting volumes. She said it was one of the best concerts she's ever attended. I wasn't sure what to expect these years later, but Karla and her music surpassed anything I might have expected.