The show was beautifully and highly effectively choreographed, with the dance telling by very successful suggestion the backstory of both Eva Duarte and Peron. The 'dance of the generals' was a chilling and highly effective representation of politics among the oligarchy that was Argentina. Eva Peron is presented as a very complex character with the best of intentions, so long as her ultimate ends are supported. The historical accuracy of that interpretation is not necessarily fully accurate, but it is very believably done. The only dissonant note is that the storyline seems to be aiming at some moral, but it is never quite clear what, other than that good intentions, if superficial, are insufficient. The show has a somewhat chilling resonance in our current times, as we watch the apparent rise of our own American oligarchy, which makes the impact of the show rather more powerful today than it perhaps was when if first appeared onstage. In other Andrew Loyd Webber musicals, there seemed to be several powerful songs built around a central theme; in Evita, "Don't Cry for Me, Argentina" seemed the only memorable tune, threaded subtly through most of the other music. It effectively managed the structure of the play, but left one wanting more, perhaps. Indeed, that may be symbolic of the life of the person it represented: a single, bright, brief life that should have meant more than it seemed to.