Garrett is charismatic and amazingly talented
by AFanAlsoNamedDavid on 10/26/09Birchmere - AlexandriaRating: 4 out of 5From the moment he began to play, unseen, offstage, and then the spotlight illuminated him walking through the audience, he wowed the crowd with his virtuoso fiddle playing (is it heresy to call a Stradivarius a fiddle?).
He's a child prodigy who's played with symphony orchestras worldwide, who looked very comfortable on stage in baggy jeans, a porkpie hat and unlaced boots.
He does it all. Vivaldi's Summer to AC/DC's Thunderstruck. Queen's Who Wants to Live Forever? to Debussy's Clair de Lune. Brahm's Hungarian Dance No. 5 to Metallica's Nothing Else Matters.
Throw in Bach's Air, Gershwin's Summertime, Michael Jackson's Smooth Criminal, heck, even Dueling Banjos from Deliverance, and you begin to quickly see that in David Garrett's world, genres blur, classical and rock merge, and musical prejudice . . . well, it just doesn't exist.
And he's a pretty good storyteller. A woman in the back yelled out, "Is that the violin you broke falling down the stairs?" Garrett then told about how bummed he was that it happened on Christmas Eve. But, then he said, he was able to get it repaired and, noted dryly, "It sounds better than it did before. So it was a good thing, no?"
And about the time he was playing an open-air event in Europe. It began to rain and although the stage was covered, the wind began to blow in the front. He began to back up, worried that the Strad would get wet. He had backed nearly to the orchestra pit when an old woman climbed on stage and began to advance toward him. Then she whipped out an umbrella and held it over him while he finished the piece. After thanking her profusely for protecting his violin, she said, "Actually, I was trying to protect your hair."