The Silos, the still-kicking band Walter Salas-Humara co-founded in New York’s post-punk ‘80s scene played Alt-Rock, Alt-Country, and Americana before any critics coined those terms. They were named Best New Artist in the 1987 Rolling Stone Critics Poll. Throughout Salas-Humara’s career his voice has remained textured like a walnut; meanwhile, his narratives focus not on interior, abstract weaves of doubts and anxieties but on storytelling. He renders small incidents in granular detail that take on the weight of attentive, convincing poetry and wry wordplay. Each tune is marked by such humanity, which offers much refuge in a convulsive time.
The Silos legacy would seem secure, 24 albums, Walter’s Horse Paintings hang in homes and galleries around the world, and his WaltersDogs portraits even appeared in the film Get Him to the Greek. but he’s hardly ready to call it a day. “It's still really fun for me,” he says of his musical pursuits. “In fact, I'm much happier than I've ever been in my life. I really enjoy traveling around entertaining. I see myself as an artist, but I also see myself as a communicator and entertainer — and teacher and mentor. And I love that. Back in the day, the Silos just blasted everybody's faces off. We hardly talked at all. Now, I play songs, I tell stories. Then I hang out after.”
The Silos have shared the stage with the following greats: Wilco, Lucinda Williams, Matthew Sweet, American Music Club, Chris Whitley, Hootie and The Blowfish, Violent Femmes, The Jayhawks, Yo La Tengo, Certain General, The Reivers, The True Believers, The Wild Seeds, Victoria Williams, Willard Grant Conspiracy, Mark Ribot, Ryan Adams, Jon Dee Graham, Alejandro Escovedo, Let's Active, Young Fresh Fellows, Miracle Legion, Living Color, Souled American, The Minus 5, Steve Wynn and the Miracle 3, Jon Langford, The Waco Brothers, Chuck Prophet, Jerry Joseph, Caitlin Cary, Anders Parker, Tom Freund, Centro-Matic, Spottiswoode and his Enemies, Lynyrd Skynyrd, …to name a few.