Mazzy Star
Wiltern Theatre
November 7 2013
The stage was set, well I couldn’t see what was on it, but the stage was set. It was dark, and it got even darker when the band apparently took the stage and the house lights dimmed and the half a dozen or so candles on stage became the stage lights for the show. This is how vocalist Hope Sandoval and David Roback (the bands songwriter and guitarist) prefer the setting to be. Last year I had the pleasure of seeing Mazzy Star in the daylight at Coachella. It must have been blinding for the group of nocturnals.
I had a front row seat in the mezzanine, off to the right side. It was nice sounding where I sat and I could see the six candles on the stage with shadows moving about periodically. Hope stood at stage right for most of the performance where her microphone was. I think she was wearing all black….lol…..think she may have had on some above the knee boots. There was a large stage set up and the first thing I noticed was the pedal steel guitar. Josh Yenne is their pedal steel player and played the instrument on about half of the songs. He plays simple and fills the needs of the band at the right time with the right weeping sounds.
The band did half of the tunes on their latest release that came out earlier this year. Highlights of those five songs for me were, ‘In the Kingdom’ and “California’ which was the first of three encores. The other songs they played relied on past albums, about half of which came off of 1990’s critically acclaimed, ‘She Hangs Brightly’. After taking time off as Mazzy Star and then coming back, it seems to have gone full circle and now hopefully will settle into a relationship that will exist for many years to come….probably not, but wishful thinking. I like the music, the ambiance of the scene, and the feeling that comes through as the band performs LIVE.
Note: People were told from the start NOT to photograph or video any of the show. After the second encore, there were a lot of fans that could not resist taking a picture. Hope was annoyed by the situation, and called for the audience to “Put those ridiculous lights away”. IMO when performers ask for no photography or video it should be respected and obeyed. I have a picture of the beautiful marquee in front of the Wiltern, (I wish Hope was standing under it, but that’s ok) it will go in the book with the ticket.
There were two openers.
Mariee Sioux opened. She plays solo, acoustic guitar and sings soft sweet folk songs. I took note of her guitar playing as opposed to her voice, although both were good.
The Entrance played second. They were a trio of “retro-fresh” psychedelic infused players and “dancers”. Not sure of there names, but the bass player had the 60’s mod slide and shuffle moves down to a pat. They were good musicians also and I would see them again in the future in a small club.