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Maren Morris has always defied expectations -- and on her new album Dreamsicle, she does it again, with the kind of radical vulnerability that turns endings into beginnings. If the record had one unifying flavor, it might be lemonade: tart and sweet, nostalgic and fresh. The singer-songwriter's fourth album is a fearless exploration of heartbreak, healing, and the strange beauty of letting go. But rather than linger in grief, Dreamsicle is infused with warmth, wit, and hard-won optimism -- a sonic balm for anyone learning to live with both joy and pain in the same breath.
"The message that rang clear in titling this project Dreamsicle was about all of these fleeting things that I thought were very permanent in my life melting away," Morris explains. "It's about remembering that it's okay that they end. That can either be something you deflect or avoid, or you can find peace with. It felt like a sweet way to address something heavy and is a reminder not to mourn things before they're over - to look back at things with love and light, and not regret."
In the wake of seismic personal shifts, writing and recording Dreamsicle became a lifeline. Collaborating with an eclectic lineup of producers -- including Greg Kurstin, Jack Antonoff, Joel Little, Naomi McPherson of MUNA, and the Monsters & Strangerz -- Morris rediscovered herself through sound and songwriting. The result is a genre-fluid, emotionally rich collection that finds her in rare and radiant form.
The Kurstin-produced lead single, "carry me through," is a stripped-back ballad laced with gospel and soul -- a poignant reintroduction and a quiet revelation. "It was very therapeutic creating that song," Morris says. "It was actually written before the big storm of changes in my life. Maybe it was my subconscious talking, but I came back to it later and it felt like this was the perfect moment to release it. This song is a little bit like an exhale. It brings me peace listening back to it, and I hope it will for other people too."
"bed no breakfast" completes the one-two punch showcasing two of Maren's saving graces in creating this album - vulnerability, and humor. The song is a cheeky, R&B-kissed anthem about dipping a toe back into dating -- and setting boundaries with a grin. "It's a nice way of saying, 'You can stay for a couple of hours, but won't you sleep better at your place?'" she laughs. "Reminding myself that I'm allowed to be funny has been a good tonic."
Elsewhere, Morris ventures into new sonic terrain with "holy smoke," a sweeping, string-laced closer that she likens lyrically to R.E.M.'s "Losing My Religion." On "cry in the car," produced by McPherson, she veers into bold, synth-driven territory, reinforcing the sense that Dreamsicle is both a sonic and spiritual evolution. Each track stands on its own, yet the album's message remains consistent, cohesive, and unmistakably hers.
Dreamsicle isn't just about heartbreak; it's about transformation, growth, and finding beauty in what's left behind. "Loss ultimately shines a light on parts of your life that open up after something like that happens to you," Morris reflects. Rather than clinging to the past, she's making room for joy. "It's been a heavy few years for me -- and for the world -- and I want to keep laughing. I don't want to hold onto things so tightly that I end up sacrificing my own happiness and not even realizing that I'm living my dream."
With Dreamsicle, Maren Morris turns the page -- embracing the messy, beautiful process of healing and rebuilding. As the hurt drips away and a new chapter takes shape, her voice feels lighter, wiser, and sweeter than ever.
Great venue for an intimate setting to really appreciate the artist. Maren Morris was masterful and totally engaging while connecting with the audience. Loved every aspect of the concert and nothing beats the Paramount
She put on a great show but unfortunately she e had seating seats. And the people in front of us were standing the whole time so our view was very obstructed. Unfortunately people don’t care. It was very wrong we paid for tickets and it was my friends birthday on top of it.
I loved dreamsicle so this was a dream for me! The show was fantastic and she sounds so amazing live - better than recorded. The attendees toward the back where I bought seats due to cost didnt pay enough attention and kept talking.
The concert was quiet?? I don’t think I’ve ever said that before, but the music and the microphones were too low, it was hard to hear and everyone was talking over the music.
Maren Morris was in top form at Artpark. She was entertaining, energetic, and highly engaging. Can’t wait to see her perform again.
Maren Morris herself was amazing...what I could hear of her. The band and base from the music drowned out both her and Jade Lemac's voices so much that it was very difficult to really be able to hear their singing. This would have been so much better as either an acoustic show or an outdoor show where there would be more space for all that base.
I love Maren Morris she's a awesome singer love all her music can't wait 2 see her again in the future hopefully she'll come to gilford NH I think that'll be a awesome place for her to come
Maren was great. She never disappoints. Always love this venue bc there really isn't a bad seat. The only thing I would say needs help is the video screens on the side - they are delayed and not very clear. Kind of wimpy in this day and age. Otherwise the show itself was amazing!
Show was great. Energy was great. Very entertaining
Concert was good, venue is nice/clean location is great. Sound is marginal. In many cases couldn't really make out the vocals. Would think that for the price we pay for tickets, sound would be optimized. THanks,
Maren was incredible - great set list, vibes, lots of fun, however we sat at a table and the volume was very quiet, I would not recommend sitting there at the venue
Marem Morris is truly a delight to listen to and her band are top notch. Her voice is one of a kind. The only thing that didn't get 5 Stars was the sound system it wasn't horrible but at times it was hard to hear her voice and the lyrics over the music but on the intimate songs she was as clear as if you were standing in front of her. History is by far my favorite smaller venue. Everything operates smoothly, everything is clean.all you could possibly need is available .prices are Comparable if not slightly better than other venues. No real lineups for anything other than merch.
The show was great incredible. Maren is a superstar and the venue was awesome. I highly recommend seeing her live.
It was not that good! The show could have been better and tickets could have been cheaper
Best concert ever. Maren is such an incredible performer and artist!
Maren is a super singer and she always bring out the best (future) singers.
The meet and greet went well. The only thing I can complain about is when you are told one thing when purchasing and then another once the event gets there. When I purchased was told you could bring something to get signed. Then the venue says another.
Meeting my favorite artist of all time was amazing, the venue ideal & her show the best ever!
Elevated. The set, chairs, and food seemed better than her last show. Parking was easy. Getting off the property took quite some time but there were people directly traffic.
The vibes were excellent, as all Maren Morris concerts are (this is my 3rd time). However, this may have been the most special and that is due to the lovely venue, and also to one of the most incredible venue managers. Jan (an icon) pulled me up front to stand at the stage for the last two songs and me and Maren were able to connect for a whole chorus while 3 feet apart. The keyboardist even gave me the official setlist paper after the show 🥹. 10000000 / 10 night for me. Absolutely going again
