The selection of music, from Tchaikovsky's Romeo and Juliet, to the Sibelius Violin Concerto, was ingenious. The variety of moods portrayed by the entire concert kept things interesting. Though the Grieg and Tchaikovsky were predictable, the Ravel and Sibelius pieces allowed the listener to go on a musical adventure. Bell's virtuosity was amazing as his fingers climbed into thirteenth, maybe fifteenth position, playing double-stop fingered harmonics! The orchestra accompanied Joshua perfectly as his violin traveled to places few contemporary violinists have.
I have to give a "shout-out" to the French horn section - they were the highlight of Romeo and Juliet, bringing tears to my eyes as the piece concluded...a broad, hall-filling, robust sound that made my insides shake.Musical nuances were incredibly evident in the Sibelius Concerto in D Minor by the horn section as well.
The New Jersey Symphony Orchestra has a wonderful balance of sound and dynamic range, as exhibited by Ases Tod (Grieg). This deceptively simple piece (half notes/quarter notes) needs to move in ways that are not necessarily chromatic or rhythmic - dynamic range is the answer, but dynamics in an orchestra are only achieved by a group effort! It was obvious that NJSO is a team that strives to achieve that winning balance!
One unfortunate event that occurred was the "Amber Alert" signal that touched upon 2000 vibrating cell phones right before Joshua Bell performed the Ravel. An unbelievable high-pitched din invaded NJPAC (vibrations at different frequencies in an almost perfect acoustic venue can be deadly). I understand that the show must go on, but the show should have stopped until the problem was resolved. I was so distracted at the beginning of the Ravel by the obnoxious din, that I couldn't tune into the piece. The whole concert hall was uncomfortable and confused. It would have been prudent to hold off the performance until the problem was resolved.
I love what Joshua Bell can do with the violin. There is not one unturned skill stone when it comes to his playing. I suppose I was expecting his sound to fill the concert hall more than it did and that his dynamic range would have been more varied. Still, I would come to see Mr. Bell the next time he performs with NJSO.