There are few artists who would make me return to the Beacon Theater with its bad sightlines and muddy sound. Two of those artists played there last Friday. Luckily these seats were second row in the upper balcony (last time we were in the last row of the upper balcony) so rtb, violaleeblue, and I had a much better view of the stage. Also the performers were upstage, which also made it easier to see them. The sound was inconsistent. Sometimes the vocals were clear as a bell and other times a bit muddy. There was no low end on the instruments – I couldn’t hear the bottom on any of the guitars and the acoustic bass got lost in the mix.
The marvelous Justin Townes Earle was the opening act. If you’ve been following my reviews you know that he is currently one of my favorites. He’s tall and skinny and charismatic. He plays the guitar and it sounds like there are two or three playing along. He tells wonderful stories – both between the songs and with the songs themselves. He sings fast and talks faster. His musical partner, Cory Younts, plays banjo, mandolin, and harmonica. To say he just plays these instruments doesn’t begin to convey how much he owns those instruments. There was the usual banter between the two with both calling each other Charlie. If Earle couldn’t be a musician he’d make a terrific carnival barker. Earle is honky-tonk, old country, new country, alt-country, traditional, alt-traditional, and folk. Unfortunately, like most opening acts, they didn’t get to play to a full house but the response from those who were familiar with Earle and from those who were seeing him for the first time was explosive. On Friday some of the songs were “South Georgia Sugar Babe” (with the fast-talking verse at the start), a Woody Guthrie song, “Halfway to Jackson,” “Someday I’ll Be Forgiven for This,” “They Killed John Henry,” the Replacements’ “Can’t Hardly Wait,” and “Mama’s Eyes.”
John Prine is one of those artists I’ve always loved and enjoyed but I don’t go see. I’m so happy I took care of that on Friday. Since his bout with throat cancer his voice has a bit of gravel to it and there’s the normal wear that comes with age but he still sounds great. He’s one of so many artists who was hailed as the next Dylan. His songs have been covered by a lot of other musicians. I’ll admit I’m not a big fan of some of the newer songs like “In Spite of Ourselves” but when he played it I got as caught up in it as I did anything else he did. I liked the other songs from the later albums too – among them were “Glory of True Love,” and his cover of “Bear Creek Blues.” He has new political songs like “Some Humans Ain’t Human.” He played favorites – “Souvenirs,” “Six O’Clock News,” “Sam Stone,” “Grandpa Was a Carpenter,” “Hello In There,” “Angel From Montgomery,” “That’s the Way the World Goes ‘Round,” and “Lake Marie.” I’ve forgotten everything that he played but I do remember that there wasn’t a disappointment in the entire set. Early on he covered a song by his old friend, Steve Goodman. He did a few songs solo on his acoustic guitar but mostly he was joined onstage with two other guys (whose names I didn’t catch) on electric guitar, mandolin, and electric and stand up bass. He was an old folkie and he rocked out. Prine can still make me tear up when singing his sad songs. And his love for his wife shines through on the love songs.
Earle may be the future but Prine is in no way just the past. There is still plenty good to come from him.