After going out to dinner Baraonda, an excellent resturant nearby, I walked a block over to the Fox Theatre, where I was seeing, tada, Itzhak Perlman! really don't go to a lot of concerts anymore but when I heard he was playing and playing at my favorite venue (ever!) I had to go. Ticket was for a far-back orchestra seat and was not a bad price for arguably the world's greatest living violinist.
But I'm getting ahead of myself. So I went to the Fox, where I wandered around the outside lobby for a bit, as the door were closed, but then we were told there was a "strings demo" in the Egyptian Ballroom to entertain us while the theater was still closed for soundcheck. I've always wanted to see the Egyptian Ballroom, which normally is rented out for special occasions, so I went up. There I got to a enjoy a show-and-tell on the history and development of various violin bowing techniques. There were two violinists and a cello. Very good demo! Afterward we drifted down and into the theater proper. As usual I wandered around staring at everything because the Fox is just unbelievable. Those of you who've been to Rockefeller Center or a Baroque opera house know what I'm talking about. Egyptian/Moorish 1920s Art Deco! Aw, yeah!
So, then, the concert. Perlman zips out onto the stage in a motorized scooter (much more elegant and speedier than using his usual crutches) followed by the pianist (who was great) accompanist (and the page-turner). The the half of the show was broken up into 3 segments, in between which Perlman zipped offstage for short breathers and/or to switch violins. I couldn't find a program (the program didn't have the playlist, I should say) but it was all amazing Classical and Romantic pieces that made me feel like I was flying or spinning or breaking up like light through a crystal. Whoah. I think there were about 6 pieces total in that half. No intros, talking, anything.
Then there was intermission, during which as usual with Fox visits, I went wandering all over looking at stuff. I love the ladies and gentlemen's lounge downstairs. I could -live- there!
Then it was the second half and that was the part that blew me and everyone away. Perlman, unmiked, basically introduced a whole variety of pieces which he almost seemed to be drawing from at random. Like maybe he had 30 pieces prepared and played 10 of them, just whatever he felt like. He made some really horrible puns in the process but I love horrible puns (i.e. a short work by Riis was a "Riis's Piece"!) He played everything from Tchaikovsky to a Heifetz transcription of Gershwin to the theme from Schindler's List (which he played on the soundtrack). Most of the stuff was just insane in terms of the level of expertise needed to play. Hell, all of it was! Pieces that were so fast, I have no idea how someone would even write them down. Or the Tschaikowsky piece that had a bit in it that was so, so, so high it was ultrasonic almost. People around me were going "Oh my God!!!!" Yeah, it was awesome. He got 3 ovations but didn't give an encore, which I don't blame him for because how could he possibly keep it up?