I must say, I expected Epica to me amazing. What I didn't expect, was for them to be as amazing as they were. While most bands suffer during live performances, oftentimes failing to live up to their recordings, Epica absolutely killed it - arguably outperforming their recordings. They were, in every sense of the word, epic.
It started with the EQ. A total of four bands performed, and the first three all had trouble with EQ, wether it be a wonky lack of mids causing vocals to be off, or straight up reverb. Epica didn't. It did take them longer to prepare than the other bands, but their attention to detail was noticed by everyone in the audience. I'll comment on the bands as the performed.
To be honest, I only attended the show for Epica, having not heard of the other bands other than a few quick Tidal searches. I was pleasantly surprised with The Agonist, a Canadian metallic deathcore band. Alissa's vocals were impressive, and she got the crowd pumped for the rest of the show. SInce then, I've listened to quite a bit of them - I'd recommend checking them out.
Next was Arkona. I'm pretty sure everyone in the crowd had the same reaction: "u wut..." Never before have I experienced anything quite like the Arkona performance. But then again I've never experienced a Slavic pagan folk metal band from Russia - yes, you read that correctly. And their performance was just as mind boggling as their bio. Impressive theatrics (they almost looked like Irish hobbits preparing to march to Mordor) and equally impressive sound. They somehow pulled off both a flute and bagpipe solo in the middle of a metal show. And it worked. Very well.
I did not enjoy Fleshgod Apocalypse. I mean, congrats guys on looking pretty dope, but please do something more than double-kick a drum and spasm your hand over guitar strings. Maybe they just weren't for me, but they simply did compare, at all, to any of the other performers.
And then there was Epica. It's been a couple weeks, and I'm still absolutely floored by how incredible they were. They did everything right. Just enough theatrics to make it interesting. They got the EQ figured out to a T. And my GOODNESS at how phenomenally skilled each individual member was. I was particularly impressed with bassist Yves Huts and vocalist Simone Simons. Mark Jansen (guitarist) interacted with the crowd a lot, and Simone was engaging and funny when she talked to the crowd.
The insane musical range of Epica was one of the most impressive aspects of the show. Starting with very much metal tracks from their most recent album, The Holographic Principle, they were somehow able to segway into a vocal solo by Simone accompanied by keyboardist Coen Janssen. And then right back to face melting metal, with a couple primarily symphonic pieces here and there. I don’t know how they do it. But they do. And it is good.
To finish this review, I have one last comment about Epica shows in general. This show differed from your standard metal show in not just the music but also the fans. Of course, a good three quarters of the crowd is your typical metalhead, but the other quarter might be grandma and grandpa over in the corner bobbing their heads, or a twelve year old and her dad jumping along to the beat. The incredible range of fans is almost as impressive as the musical range of the band.
I would wholeheartedly recommend attending an Epica show in the future, regardless of your age or musical background. I guarantee that you will find something you enjoy, and will be hooked from that moment out. Thank you, Epica, for an incredible night.