Infinite Graceful Ways
by EnlightenedCare on 10/16/16Citi Performing Arts Center Wang Theatre - BostonRating: 5 out of 5On Saturday evening, September 17, 2016, I attended the Cat Stevens concert at the Wang Theatre in Boston. I had seen Cat Stevens once, previously, in the same venue, on December 7, 2014, nearly two years ago. That was a profound experience for me, then, attending with a dear friend and getting to sit in what was, by default, the front row (there was a row of security staff between us and the stage, then).
By attending as many concerts, and by so many diverse performers, as I have these past few years, I have come to classify quality performers into three groups:
a) Gifted Entertainers
b) Gifted Musicians
c) Inspired Human Beings who as Gifted Entertainers and Gifted
Musicians deeply and profoundly rouse our souls.
While I have only been interested in attending performances by performers in Category (a)-Gifted Entertainers-once, and have been interested in attending performances by performers in Category (b)-Gifted Musicians-more than once, but not too often, I would eagerly attend performances by performers in Category (c)-Inspired Human Beings who as Gifted Entertainers and Gifted Musicians deeply and profoundly rouse our souls-weekly, if not daily. Such performers are truly balm for our weary souls.
Some musicians who, for me, in concert, have seemed to be Inspired Human Beings who as Gifted Entertainers and Gifted Musicians deeply and profoundly rouse our souls have included Aretha Franklin, Van Morrison, Ringo Starr, Stevie Wonder, Jon Anderson (the former Yes vocalist, as a solo performer), the late Cesaria Evora (a Cape Verdean musician who was the winner of the 2004 Grammy Award for Best Contemporary World Music Album-Voz d'Amor), John Gorka (a folk-singer), and Cat Stevens.
On Saturday evening, September 17, 2016, in Boston, at the Wang Theatre, in Boston, I entered the venue tired from an especially challenging work week as a Professional Counselor, tired from dealing with the relentless aggressiveness of Boston drivers, tired from the shallow divisions of Americans encouraged by the Republican candidate for President of the United States of America, and tired from sundry personal challenges.
Within moments of his exhaling his first musical sounds, my weary soul that I had brought him that night began to be roused by Cat Stevens. This time around Cat Stevens hinted that he has been writing a memoir of his musical life. Cat Stevens seemed to lift this night's performance from that memoir. Cat Stevens told stories and shared songs that documented his musical life story, identifying key turns in his musical career.
Thankfully, I had listened to the Cat Stevens CD "Catch Bull at Four" earlier in the day of this performance, as there are so many 'buried' Cat Stevens gems there that receive scant attention on the air (FM radio) given the incredible richness of his two prior CD's, "Teaser and the Firecat" and "Tea for the Tillerman." The two "Catch Bull at Four" 'buried' gems that Cat Stevens performed on Saturday September 17, 2016, at the Wang Theatre, in Boston, were "The Boy with a Moon & Star On His Head," and "Angelsea." The latter has a chorus of mystical sounding words which are not on the lyric sheet in "Catch Bull at Four." On the Internet, there is some discussion, but there are no definite conclusions, regarding the nature of the lyrics to that chorus.
By the end of this Cat Stevens performance, my weary soul had felt fully restored. I have never seen an audience as enthusiastic as the one at this performance. At the show's end, Cat Stevens mentioned his special affinity for Boston. It seems clear that that love is mutual.