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The program indicated that it was an all-Canadian cast. Canadians are good at operetta! Everybody performed well but Jonelle Sills was especially impressive. She is a world-class talent.
Excellent afternoon of music, food and conversation. Will definitely go to their future events.
Excellent performance by ALL Congratulations to all for an amazing performance with all the difficulties of an one open stage with many changes and long dialogues in both languages... Wonderful musicians BRAVO!
My friend and I truly enjoyed the performance of Die Fledermaus. The singers/actors were really into their roles and seemed to be enjoying themselves - I know having a sold out house must have helped tremendously. Staging was good and change of scenes was well done. If there is anything to improve - Rosalinde had a superb voice, but at times overwhelming for the venue, which then detracted from the play as a whole. Thank you for keeping operetta vibrant in Toronto - am already looking forward to the next one.
No sets and no surtitles. Enunciation by all, except one exceptionally talented bass/baritone with a huge voice, made lyrics unintelligible. I had a good seat, about halfway back. Surtitles would help enormously. Stage direction was largely absent, and acting, except for the baritone, who was excellent, was abysmal. I left at intermission. Those with long memories may recall the superb productions of Gilbert & Sullivan operettas at the Avon Theater at the Stratford Festval. This should be the standard Toronto Operetta Theatre should aim for.
TOT’s Orpheus In The Underworld production was superbly polished, artistic, entertaining and the audience was guaranteed an enjoyable evening of operetta. The cast was perfectly suited to their respective roles, everything was well sung and acted and I had a truly memorable evening. I eagerly await TOT’s next production.
it was a great evening and a great turn out for the performance. the cast was outstanding
Pieces from different zarzuellas. No guitar, no flamenco. Misleading advertising.
