I've been a fan of the Waterboys since the album "This is the Sea" hurtled its way into my life in 1985. With incredible tracks like "Don't Bang The Drum", "The Pan Within" and "The Big Music" (from A Pagan Place in 1984), the first three albums sealed an awe-inspiring body of rock now known as the Big Music. Then Mike Scott (founding member and essence of the band) explored different styles, starting with the Fisherman's Blues album in 1988, which largely eschewed the Big Music in favor of Irish and Scottish folk. The album was polarizing - fans of the earlier work were ravenous for more anthemic big music tracks which never arrived, while a new segment of traditional Irish music fans fell in love with the band (as an aside, and with some irony, one of my favorite Waterboys tracks of all time - the visceral "We Will Not Be Lovers"- appears on the Fisherman's Blues album). Since the late 80's, Mike Scott has been on a musical journey traversing multiple genres, primarily oscillating between rock and folk music, with a peppering of blues for good measure. I've followed the post-Big Music Waterboys all the way through, sometimes loving new releases and at other times being somewhat ambivalent, but always in awe of the genius of Mike Scott no matter where his muse takes him.
The live act at the Fillmore on October 11th, 2019 was a brilliant display of a musician (and his band) at the peak of their musical powers, rocking and jamming their way through the plethora of different musical styles that are now synonymous with Mike Scott and his Waterboys. Accompanied by Brother Paul or organ, Steve Wickham on the fiddle, and Ralph Salmins on drums, the band offered up a rich treat of Waterboys compositions with some expanded instrumental solos that had the crowd rocking. The first set of the evening went by at an incredible pace, with mostly uptempo songs blazing a trail of rock and rollicking folk music. The second set had some curious choices which (in my opinion) lost the audience somewhat, particularly "Morning Came Too Soon" off the "Out of all this Blue" album. It's a lengthy narrative of a song with few peaks and riffs, and for me a questionable song choice out of the Waterboys vast canon for that part of the show. But there were highlights in there as well, including a scorching "We will not be lovers" rendition, and a brilliantly fun and enjoyable performance of "You married the wrong guy (Rosalynd). The conclusion of the second set had the audience salivating for more - we got one more song in the somewhat obligatory "Whole of the Moon". It's testament to Mike and his journeymen that even though this enduring song is the biggest commercial hit for the band, its impact was diminished by the toweringly powerful performance of the steam train of tracks that came before it.
In the end, its still 5/5 stars for me. What a privilege to watch these experienced and consummate musicians at the top of their game. A must see.