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PJ Harvey

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About

From the outset of her career, the work of PJ Harvey has commanded attention. A multi-instrumentalist, she is primarily a vocalist, guitarist, and pianist.

In 1991, Harvey formed the eponymous bass/drums/guitar trio in Dorset, England, and by that autumn had released the debut single 'Dress' on independent label Too Pure. Dry, released in March 1992, was hailed globally as an astonishing debut album, particularly in the United States, where Rolling Stone magazine named Harvey 'Best Songwriter' and 'Best New Female Singer' of 1992.

In 1993, she signed to Island Records and released her second album Rid Of Me. The album, supported by a lengthy world tour, brought Harvey her first Mercury Music Prize nomination. The original trio dissolved, and Harvey's solo follow-up, 4-Track Demos, was released in the autumn of 1993.

To Bring You My Love, an eclectic and starkly original album followed in 1995, and was accompanied by live performances that saw Harvey explore a more theatrical edge on stage. She received her second Mercury Music Prize nomination, two Grammy Award nominations, and 'Artist of the Year' awards from both Rolling Stone and Spin.

Her fourth album Is This Desire? released in September 1998, attracted plaudits globally, gaining several BRIT and Grammy Award nominations. The much anticipated follow-up, Stories From The City, Stories From The Sea, was released in October 2000 and went on to win Harvey's first Mercury Music Prize. 'Stories...' was supported by a sold-out worldwide tour. After a summer of live dates, including the first rock concert to be held at London's Tate Modern gallery, Harvey finished work on her next album, Uh Huh Her.

White Chalk was her critically-acclaimed seventh studio album, which marked a departure as it was composed almost entirely on piano. It was supported by a string of notable solo performances including Manchester International Festival, The Royal Festival Hall, the Hay-On-Wye Festival of Literature, the New Yorker Festival, Sydney Opera House, and a performance at Copenhagen Opera House for the Crown Prince couple.

In 2006 PJ Harvey: The Peel Sessions was released - a collection of recordings for the veteran British broadcaster John Peel, spanning her career to date.

Harvey's 2011 album, Let England Shake, was created with long-standing collaborators Flood, John Parish, and Mick Harvey. The songs focus on both her home country and events further afield in which it has embroiled itself. The record evokes the troubled spirit of its time, whilst also looking back through our history. Let England Shake won Harvey her second Mercury Music Prize, setting her apart as the only artist to have won the award on two occasions, an achievement recognised by The Guinness Book Of Records. The album was also awarded 'Album of the Year' at the 2012 Ivor Novello Awards and was named '#1 Album of the Year' by numerous publications including The Sunday Times, Los Angeles Times, Mojo, Uncut, Washington Post, The Guardian, NME, Spin, Sydney Morning Herald, Le Matin, OOR Magazine, Irish Times, The Independent, and The Sunday Telegraph. Prior to the album's release, in May 2010, Harvey made a guest appearance on BBC1's Andrew Marr Show, the week before the UK General Election. She was interviewed by Marr and performed the song 'Let England Shake' in front of Marr's other guest, the then Prime Minister, Gordon Brown. She was invited back on the show in April 2011 alongside Brown's successor, Prime Minister David Cameron, and performed the song 'The Last Living Rose'.

Let England Shake was accompanied by 12 short films by award-winning photojournalist Seamus Murphy. Murphy, with whom Harvey began working in 2011, has spent over two decades documenting the world through his lens. His work has taken him to Rwanda, Eritrea, Kosovo, Iran, Afghanistan, Iraq, and Syria.

Harvey's work with Murphy continued over subsequent years, with the pair accompanying each other on trips to Kosovo, Afghanistan, and Washington D.C. This unique artistic, journalistic, and photographic journey became Harvey's ninth studio album, The Hope Six Demolition Project. In early 2015, the album was recorded during a month-long unique residency called 'Recording in Progress' at London's Somerset House, during which audiences were given the opportunity to observe Harvey at work with her band and producers in a purpose-built studio housed in the basement of the iconic London building. The Hope Six Demolition Project was released in April 2016 and became Harvey's first UK number 1 album.

In 2019 Harvey released her first original theatrical score album, All About Eve, via Invada Records & Lakeshore Records. The 12-track album contains 10 original pieces of instrumental music as well as two new songs written by Harvey and sung by Gillian Anderson and Lily James. Harvey's score for All About Eve is performed by herself, James Johnston, and Kenrick Rowe, and uses Franz Liszt's 'Liebestraume' (a musical element of Joseph L. Mankiewicz's original 1950s classic film) as a musical touchstone, exploring the more somber and deeply psychological aspects of the story.

2020 saw the start of a comprehensive reissue campaign which saw PJ Harvey's entire back catalogue - plus her two albums in collaboration with John Parish - reissued on vinyl over the course of 12 months. For the first time, each of PJ Harvey's album demos were also made available as stand-alone albums on vinyl, CD and digital.

In the summer of 2023 PJ Harvey released her tenth studio album, I Inside the Old Year Dying, via Partisan Records. Co-produced by Flood and John Parish the album was nominated in the Best Alternative Album category at the 2024 Grammy Awards. Soon after its release she toured the UK and Europe, with her bandmates John Parish, Jean-Marc Butty, Giovanni Ferrario, and James Johnston. To develop the live show she worked with director Ian Rickson, who had also directed the live shows for the Let England Shake and the Hope Six tours.

COLLABORATIONS:

PJ Harvey has collaborated with a wide range of musicians, including Thom Yorke, Nick Cave, Tricky, Sparklehorse, Josh Homme, John Parish, Pascal Comelade, Gordon Gano, Ramy Essam and Mark Lanegan. She also wrote, recorded & produced material for Marianne Faithfull's 2004 album 'Before The Poison'.

In 1996 she worked with John Parish on Dance Hall At Louse Point, both an album and a live accompaniment to the Mark Bruce Dance Company production of the same name. The follow-up collaboration with Parish, entitled A Woman A Man Walked By, was released in 2009 ahead of an extensive tour of Europe and America. The video for the first single, 'Black Hearted Love', was directed by the acclaimed British artists Jake & Dinos Chapman.

Her work with photographer Seamus Murphy has seen them collaborate on two albums: Let England Shake and The Hope Six Demolition Project, as well as Harvey's debut book of poems, The Hollow of the Hand and the feature-length documentary A Dog Called Money.

COMPOSITION, SCORING AND ACTING:

Harvey has composed extensive soundtracks for film and television, in 1994, covering 'The Ballad of the Soldier's Wife' for the documentary 'September Songs: The Music of Kurt Weill', and in 1996, contributing 'This Is Mine' with Nick Bicat for Coky Giedroyc's film, 'Stella Does Tricks' and 'Who Will Love Me Now', again with Bicat for Philip Ridley's 'The Passion of Darkly Noon'.

In 2009, Harvey composed the soundtrack for renowned director Ian Rickson's New York production of 'Hedda Gabler'. They worked together again in 2011 on the music for Ophelia in 'Hamlet' at the Young Vic, starring Michael Sheen, and for his highly acclaimed 2014 production of 'Electra' at The Old Vic starring Kristin Scott Thomas. She also scored Rickson's "The Nest," as well as "The Goat" starring Damian Lewis. In 2024 Harvey's original score with songs co-written by playwright Ben Power will feature in Rickson's 'London Tide', produced and presented by The National Theatre.

In 2019, Harvey was commissioned to score Ivo Van Hove's West End production of 'All About Eve,' starring Gillian Anderson and Lily James. Her artistic process on this and previous scores was documented by BBC Radio 4 journalist Jon Wilson, as part of the BBC's highly respected 'Behind the Scenes' series.

Harvey contributed original music for the BBC's 'Peaky Blinders' Series 2, starring Cillian Murphy, and the radio drama productions, 'Eurydice and Orpheus' by Simon Armitage and 'Orpheus and Eurydice' by Linda Marshall Griffiths. Other projects have included soundtrack work on the films 'Basquiat' by Julian Schnabel, 'The Cradle Will Rock' by Tim Robbins, 'What's This Film Called Love' by Mark Cousins, Sarah Miles' 'Amaeru Fallout 1972', which she also appeared in, 'Dark River' by Clio Barnard, and 'Six Feet Under'. Her tracks, 'Horses' and 'Bobby Don't Steal' featured in Mark Cousins' 2012 film, 'What's This Film Called Love'. Original music by Harvey features in Shane Meadows' 2019 drama series, 'The Virtues,' including the end credits song "The Crowded Cell." Harvey also co-wrote the music to Sharon Horgan's 2023 series 'Bad Sisters' with composer Tim Phillips, including the theme song, a cover of Leonard Cohen's "Who By Fire". They also co-composed the music for the show's second series.

As an actor, Harvey appeared in the 1990 film, 'Lost in the Stars' and as Mary Magdalene in Hal Hartley's movie 'The Book of Life' in 1998. She also had a cameo appearance in Sarah Miles' 1999 film, 'A Bunny Girl's Tale'.

ART:

In addition to her musical career, Harvey paints, draws and creates sculptures. Summer 2010 saw Harvey guest design Francis Ford Coppola's art & literary magazine; Zoetrope: All-Story. The issue featured her previously unseen paintings, sculpture and drawings. She contributed artwork to Beat Magazine in 2015 and a photo montage she created appeared in Vogue Australia in 2016. She continues to paint and draw, and some of her latest work will be released in the special edition of her new poetry collection.

OTHER NOTABLE PROJECTS:

In August 2013, PJ Harvey released the song, 'Shaker Aamer', to highlight the detention of the then last British resident held without trial inside the US prison at Guantanamo Bay. The track was streamed exclusively on The Guardian's website and received positive worldwide attention. Aamer was eventually released two years later in October 2015.

In June 2017, PJ Harvey collaborated with Egyptian recording artist Ramy Essam, and producer John Parish, to write and record 'The Camp.' The song was created to raise awareness and funding for The Beyond Association, a national Lebanese NGO. Beyond's work provides access to education, healthcare, and psycho-social support for displaced children in the Beqaa Valley of Lebanon.

In 2008, Harvey appeared on 'Private Passions' on Radio 3. She was a guest editor on BBC Radio 4's Today Programme in December 2013, and in 2017, Radio 4 broadcasted a 15-minute drama, 'On Kosovo Field', inspired by PJ Harvey's notebooks and poetry from her travels in Kosovo, written by Fin Kennedy.

POETRY:

PJ Harvey's first collection of poetry titled The Hollow of the Hand, in collaboration with photographer Seamus Murphy, was published by Bloomsbury UK in October 2015. To celebrate the release, Harvey and Murphy presented The Hollow of the Hand - two sold-out live events of poems, new songs, images and conversation at the Royal Festival Hall - as part of the London Literature Festival. Her poem, The Guest Room, was first published in The New Yorker in 2015.

On 4th November 2015, PJ Harvey appeared alongside Irish poet Paul Muldoon in a new experimental series of 'In Conversation' style evenings called 'Soundings at the Byre', created by the University of St. Andrews' new International Writer in Residence, Reif Larsen, and Professor of English, Don Paterson.

PJ Harvey continues to study poetry under the tutelage of friend, mentor and editor Don Paterson. Harvey's second book of poetry, Orlam, a beautiful and profound narrative poem set in a magic realist version of the West Country, was published in Picador Poetry hardback format on 28th April 2022.

A special edition incorporating Harvey's own illustrative artwork followed in October 2022'. Orlam is not only a remarkable coming-of-age tale, but the first full-length book written in the Dorset dialect for many decades. Harvey undertook a headline and Literary Festival tour of Orlam across 2022 and 2023, during which she also engaged in 'In Conversation' discussions with several hosts including Max Porter, Frank Skinner, and Amanda Petrusich.

AWARDS AND RECOGNITION:

In 2013, Harvey was awarded an MBE for services to music. The following year, she was awarded an Honorary Degree in Music by Goldsmiths, University of London. She has been nominated for eight Grammy Awards, eight BRIT Awards, and is the only artist in history to have won the Mercury Music Prize twice.

Reviews

Rating: 4.3 out of 5 based on 194 reviews
  • Rating: 5 out of 5

    Brilliant!

    by ASH3 on 7/14/09Beacon Theatre - New York

    PJ Harvey is inspiring... what a voice & charm! Would see her over and over again.

  • Rating: 5 out of 5

    Polly Jean and John Parish.....perfect

    by bekka on 7/14/09Vogue Theatre - Indianapolis

    P.J. and Parish played almost equal number tracks from their new album and the old Dance Hall at Louise Point. The result was proof that while the old music was amazing, the new is too and all the songs worked together to create an atmosphere charged with creativity. I guess that was the most suprising thing for me. Lets face it, some of thier music can be quite dark and angry, and getting up in years as I am I worried that perhaps I had missed my window to enjoy this show, having not even bought the new album ( I have it now thank you!). But the energy of the show was not dark at all, it was creative and happy even...fun but in a way that comands respect, like watching giant waves on the ocean...P.J was more amazing than I could have hoped and Parish is too, and all the musicians added quirck and talent to the mix. Opener was very good too, suprising, talented and interesting. We spent the three and a half hour driving home talking about art, and creativity....Great show.

  • Rating: 5 out of 5

    PJ & John are wonderful

    by booda on 7/14/09Beacon Theatre - New York

    Great show. PJ, John, and the band were excellent. PJ is ahead of her time in terms of music. She is blazing a trail for others to follow. The Beacon is a great place to see any group.

  • Rating: 3 out of 5

    Good show

    by MUGS60 on 7/14/09Riviera Theatre - Chicago

    Although I enjoyed the concert I did not find it to be as good as her two other performances I saw. I thought the best song all night was the encore she performed with John Parish.

  • Rating: 4 out of 5

    PJ Harvey is fantastic!

    by steviegirl on 7/14/09Trocadero - Philadelphia

    Great show! I was a little concerned how a live show would be after hearing her new album, but as usual, I was mesmerized! A few more "older" songs from previous albums would have made it 5 stars, but it was definitely worth seeing.

  • Rating: 4 out of 5

    An artist growing with each effort

    by MaxZorn on 7/14/09Riviera Theatre - Chicago

    Was excited to see PJ Harvey for the first time after coming to really love her work, particularly the 90s & early 2000 efforts. Recent efforts I appreciated her guts, though some of the work "escaped" me. Likewise, at the Riv in Chicago I was disappointed to not hear much of her fantastic catalogue. But I appreciated her fire and energy and love what she is doing to stretch herself. My guess is there may be an amazing, million+ selling album for her somewhere down the line. Reminds me of Bowie's Berlin albums, and how the transformed him and instigated future great albums.

  • Rating: 5 out of 5

    Amazing

    by kassfsz on 7/14/09Riviera Theatre - Chicago

    The best concert I've recently seen in Chicago. I loved it. She was just great.

  • Rating: 5 out of 5

    Love the dancing bare feet, PJ.

    by Knitten on 7/14/09Beacon Theatre - New York

    The Beacon Theatre was a gorgeous backdrop for the sonorous stylings of Miss PJ Harvey and Mr. John Parish. Definitely one of the most chest-balloon-producing concerts I've been to in awhile. The music was inspiring and the dancing by PJ made me melt.

  • Rating: 5 out of 5

    Awesome

    by tav2367 on 7/14/09Riviera Theatre - Chicago

    After seeing PJ Harvey 8 times since the mid 90s, this is the best I have ever seen her look and perform. Energetic, humble, audience appreciation, ect ect. SImply an amazing event to not pass up. Every member onstage was at the top of their game.

  • Rating: 5 out of 5

    PJ is the best!

    by GregS on 7/14/09Beacon Theatre - New York

    What could be better than seeing PJ live in concert???

  • Rating: 4 out of 5

    P J Harvey and John Parish

    by rebe on 7/14/09Riviera Theatre - Chicago

    For fans of the collaboration between these two, the show was heaven.

  • Rating: 5 out of 5

    PJ & Parish

    by Mia420 on 7/14/09Beacon Theatre - New York

    PJ Harvey & John Parish go together like peas & carrots. PJ's vocals are so haunting yet powerful, the kind that give you chills. Beautiful show.

  • Rating: 5 out of 5

    Amazing as usual!

    by Jacquechan on 7/14/09Beacon Theatre - New York

    Amazing....no other words needed! I need a solo tour soon, this was a tease :)

  • Rating: 5 out of 5

    pj harvey & john parish at the trocadero

    by elipses on 7/14/09Trocadero - Philadelphia

    very chill. very enjoyable. but i always love pj. i prefer her dynamic solo concerts but this was an excellent laid back version for a sunday nigh now that i'm showing my age.

  • Rating: 5 out of 5

    PJ Stunning, Crowd TERRIBLE

    by PJHConcertgoer on 7/14/09House of Blues Boston - Boston

    Long time fan of PJ Harvey, so I was looking forward to this show for quite some time. The show was amazing - PJ Harvey and John Parish & band were incredibly tight, solid and took some risks. The one negative thing I have to say is that the crowd was absolutely terrible, enough to seem to affect the performers. People all around us were talking the entire time, one jerk accidentally spat beer all over a friend of mine, the woman behind me kept swinging her purse into me trying to find her camera, etc. It seemed that people were there to say they went instead of respectfully listening/enjoying the music. I don't know how this can be avoided but I have heard about this being the problem with this venue multiple times. Anyways, PJ Harvey is a goddess. Oh- and the opener was also terrible; I have no idea how he was paired up with Harvey/Parish.

  • Rating: 5 out of 5

    PJ Harvey rocked it once again

    by ry8357435y8w3987er on 7/14/09Beacon Theatre - New York

    The recent PJ Havey & John Parish show was amazing. I actually don't love listening to their album on my iPod, but hearing it live was absolutely incredible. She is such a tremendous performer and watching her dance around in bare feet and completely killing it was great. The Beacon was also set up really well - it was easy to get a drink and you could see and hear everywhere. The audience was also respectful and didn't talk through the whole show like I've been experiencing recently.

  • Rating: 3 out of 5

    Tough

    by PapaBear75 on 7/14/09Riviera Theatre - Chicago

    PJ Harvey is still an amazing singer/songwriter; however she only played her new material. And her sound has changed soo much, that someone like me, that waited 17 years to hear her sing live was sad. I had hoped to hear a mix of her music. If you are a fan of her most current album, you will like it. If you have been a fan of her work for years, stay home and listen to the cd.

  • Rating: 5 out of 5

    Polly Harvey - Worth the 16-Year Wait

    by ZeMonsta on 7/13/09Center Stage Theatre - Atlanta

    First of all, this review is for PJ Harvey AND John Parish - it was their tour together - definitely not the same as a solo PJ Harvey tour. I've been a fan of Polly since Man-Size hit MTV's 120 Minutes in the early 90s, and I've loved every album since...but somehow I missed the John Parish collaboration, Dance Hall at Louse Point. So, it was a beautiful surprise when A Man a Woman Walked By was released earlier in 2009, and I also discovered their first work together. On to the show - the set consisted ONLY of songs from the two albums Polly and John performed together, which was only disappointing until they got started. The musical skill of the band, and John Parish and the percussionist in particular, was spectacular and only slightly overshadowed by Polly's voice. Her performance on each and every song made me forget that there would be no Down by the Water, no Man-Size, no Good Fortune, no Life and Death of Mr. Bad Mouth. My new and basic familiarity with the Parish collaborations became suddenly intimate, immediately special during this show. And as much as I love those songs now, each listen is a little disappointing because the studio tracks are so insubstantial by comparison to what I heard and saw that night. I will never forget it.

  • Rating: 1 out of 5

    This was brutal

    by EclecticTastes on 7/13/09Center Stage Theatre - Atlanta

    I stood there cringing and wincing from the audial pain but kept looking around in amazement at the people who were actually applauding her.

  • Rating: 4 out of 5

    PJ Harvey

    by irvin897 on 7/13/09Center Stage Theatre - Atlanta

    Polly Jean was great. Everyone should see her live at least once.