I had heard some Lea Salonga music before, but not recently, so I didn't know what to expect other than a lot of Filipinos would be in attendance! The venue itself, just under an hour east of Seattle in good weather (it was pouring rain this night), was new to me, and I was glad we arrived 1/2 hour before show time. Ample parking (garage), large and modern facility, smoking is allowed and thus it's an indoor haven for smokers. Filtration was good enough to not be obnoxious, but it was noticeable, and I wouldn't have lasted if the ballroom itself had this issue (I didn't notice anybody smoking therein, perhaps it isn't allowed there). As a first-timer to the Snoqualamie Casino, I was a bit wide-eyed, but eventually figured out where the ballroom was via "feel." Their signage could perhaps be improved, such as putting something obvious where one emerges from the elevators. The ballroom itself: large, seats were comfortable yet tight side-to-side, with ample foot room. Good sight lines, almost intimate. Ms. Salonga's set included about 20 songs (90-100 minutes, no break), with 1 encore that found perhaps a quarter of the crowd headed for the exit before they even realized it, but then people came in and went out throughout, the ushers were excellent in keeping the incomers out until between songs. She was backed up by a small group of 6 that included a couple of keyboards, electric guitar players, bass player, and a terrific piano player who doubled as musical director. She included songs of her own, a handful of others' songs ranging from Journey to Chicago to Air Supply to Barbra Streisand, a couple of Filipino songs, a couple of Les Miserables songs (from her performances in that musical), and the two Disney songs she's most known for - "Reflection" (from Mulan) and "A Whole New World" (Aladdin). She took a huge risk (apparently, something she's been doing for 6 years) by inviting an audience member to come up on stage to sing the latter as a duet, and a willing, eager, and fairly-proficient male audience member quickly emerged, raced across the front and climbed the stairs to join her. She thanked the audience after virtually every song, something I've never seen; her personality warmed up as time went on - with talk of her childhood, getting to married, her family, and her heritage, often injecting humor; she spoke of a Make-A-Wish youth who had made progress(!) since her attendance at a previous concert, and near the end expressed a heartfelt appreciation for our attendance the kind of which I've never seen and that I felt was genuine. Further, she - an accomplished performer - was available to sign autographs afterwards! In summary: expect smoke-it's a casino, the ballroom is a fine venue, and the performer was - and is - a wonderful individual who hasn't lost sight of where she's come from, both musically and as a person. Expect a pleasant time with middle-of-the-road type of music and a few laughs along the way. Hopefully, someday she'll play in a venue closer to Seattle, such as Meany Hall, maybe even Benaroya Hall, as I think she's popular enough.