D'espairsRay, riding a decade-plus career of success in the visual rock circuit of their native Japan have expanded their fanbase and increased touring in Europe and USA. Their concert on Friday August 6th was their second visit to the Emerald City, one anxiously awaited by their American fans like myself. With a majority of their lyrics in Japanese, much of their lyrical content is lost on unilingual english speakers, but their songwriting and musicianship will speak for itself.
The venue, The Showbox, located near the intersection of 1st & Pike, was excellent as always with friendly staff, decent bartenders and excellent accoustics. Pinning down the levels always takes a few songs at first, but for the most part the Showbox has never disappointed me in their mixing.
I didn't catch the name of the opening act, but they were easily forgettable electronic act: three guys on stage, one running an audio mixer, one adding effects with a ChaosPad, and the last simply singing. All three supplied vocals, but each guy's voice was too similiar to the others, making for a multi-layered exercise in mediocrity. I fully support local acts of all kinds striking out towards their dreams of stardom, but that doesn't mean some don't simply lack what it takes.
When D'espairsRay took the stage, it became obvious how dedicated the crowd was to having a good time. The band took special effort in playing their best and playfully interacting with the crowd. Karyu (G), Zero (B) and Hizumi (V) all crisscrossed the stage multiple times during their set to assure interaction with the entire crowd, often leaning out to touch the hands of the fans up front and encouraging dancing and singing along, Tsukasa (D) maintained his usual composure, pounding out solid beats and making it look easy. Hizumi addressed the crowd multiple times between songs, often whipping the crowd into frenzied cheering. Their set was a choice mix of their most popular singles and album tracks from throughout their career, with the tour focus supporting their latest album MONSTERS. The set overall ran approximately 95 minutes including encore, while its pacing felt perfect: never dragging or rushed.
I myself have been a longtime fan of the band, avidly following their career since late 2000. I missed their first visit to Seattle, so this show was something I looked forward to from the moment I heard about it, thus my review is pretty biased in favor of the band. Be that as it may, I would strongly recommend catching these guys the next time one of their tours bring them close to your hometown. You'll find yourself dancing and headbanging along whether you understand them or not, proving one thing to be true: Music is a universal language.