The Guilty Feminist Tickets

This show was amazing! Deborah was highly entertaining, hilarious, and informative!

First, what an extraordinary event. Deborah Frances White was engaging, inspiring and intimate. Her co-pilot, Janet, was super intuitive and funny in an introspective thought provoking and paradigm shifting way. The guests were insightful and inspiring. And of course the Ebell theater was fantastic!

What a perfect mix. Feminists poking fun at themselves. Plus socially relevant discussions, sharing about real life experiences of social change. I cant recommend the show highly enough. The funny bits are very funny.

It was all around lovely to finally experince the magic of the guilty feminist live show. For almost three years I've laughed along with the podcast recording, to see it live, DFW did not disappoint. I was pleased to hear from nenew guests and Robbie Hoffman had me in stiches. She can say it but should she? Yes! I wished we had more time to hear more comedy from DFW too but time flies!

A fantastic evening with hilarious and engaging content. A diverse and interesting group of guest speakers. Left the Guilty Feminist Live feeling energised and hopeful!!

Hilarious, meaningful and fun! Could not have loved this show more.

The hosts were funny and the jokes are refreshing since none of them are based on the old and cheap stereotypes.

This was SO fun! Deborah Frances White is the bomb!

Deborah Frances-White was exceptional. The show started within 15 minutes of the listed time and the monologue sounded clear and well amplified. Deborah Frances-White delivered an outstanding introduction to the night and eventually introduced the guest comedian, Hannah Einbinder. As the formulaic podcast unfolded, Mahogany Browne took the stage and recited an incredibly moving poem before joining the other two women at the table set up for their panel discussion. And this is where the reduction of a star comes in. Sitting in the front row, the table they were sitting at obscured most of the speakers with only parts of their heads showing depending on where you were in the front seat. Unless someone stood up to speak, most of the body language and indeed most of their visages were blocked by their table. When "All Killa - No Filla" were on stage last year, they were seated in comfortable chairs with side tables present to hold their drinks and phones and anything else they had. That was an optimal setup for such an engagement. In summary, the performances were outstanding while the logistics of the performers' positions on the stage made the front-row seating more of a problem than a benefit.

I'd been so excited for months, and it didn't disappoint. I went with my boyfriend, who also loved it. We laughed, it made us think, and it was overall a great night out. Love this podcast. Feel so grateful to have been able to see it live!