If you like Green Day, the music certainly won't disappoint. I actually prefered the company's performance of the music over Green Day's as the addition of the female voices, harmony, and enunciation of lyrics enhanced already strong songs. The bad was amazing -- I particularly enjoyed watching the band leader and finding the cellist under the stairs -- as were the musical talents of the actors.
The lead (Alex Nee) is a ringer for Billie Joe Armstrong, which is pretty wild, but more than that, he's genuinely talented both as storyteller and musician. The stand-outs for me, however, were Heather (Kennedy Caughell), Whatshername ( ), and Tunny (Thomas Hettrick). Not only did Heather and Whatshername seem to have the most developed characters -- subtext would be nice, boys -- but the music felt as if it was tailor-made for their voices, pretty impressive since it wasn't. It was Will's "Give me Novacaine" that left me breathless though. I genuinely stopped breathing for a moment as the purity of his voice rose over the modern dance occuring center stage. (Side note: What I wouldn't give to move as beautifully as Whatshername... )
That said, for the most part I didn't connect emotionally to the story or to the characters. It all felt a little bit "Rent Lite". That wasn't the fault of the actors or of Green Day, but rather the book. There isn't much to work with there. You have three disenfranchised characters who are disenfranchised because... it's cool? They're young? We don't know; they just are. Unlike in Rent, these are slackers without a vision. They're not trying to change the world, they just want to go... make music I think. They had guitars so I'm guessing that's why they decided to leave. You can see where I'm going here. The story itself was all a little hazy -- and without a strong story, without fleshed out characters, it's difficult to CARE about these people. I appreciated the skill on stage, but felt a bit like I was watching a 20-something college production. Look, we're cool because we swear and play punk-rock music and use stage effects! Um, ok, fine, you're cool. Now make me care about your story.
All this wasn't helped by the THREE endings. There was the curtain call number -- I forget which song -- where different characters are highlighted and I thought, "Huh, that's an interesting way to do a curtain call. The play would have been stronger ending earlier on '21 Guns', but ok." Then they had the actual curtain call, which felt like a bit of a cheat given the choreography & specials of the previous song, and then the urtain went down... but no, we're not done. Now we're going to try to manipulate you with a feel good, every one holding guitars, look we have hope song. What?? Johnny is in the same place as he began, as is Tunny, and Will lost a leg but found a girl. I don't feel like we're one big hopeful community. I feel like you're trying to manipulate me into feeling that. Please, don't.
In a nutshell, yes, I recommend this if you like Green Day. It's a great way to experience their music. If you are looking for truly connecting with characters though, go see Wicked... or a good version of Rent without too many fans in the audience... or Miss Saigon... or Les Miserables in the theatre... or CST... or even a well-reviewed community theatre play.