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2015 Tony Award® winner CHRISTOPHER WHEELDON directs and choreographs a remarkable company of 25 international and Broadway virtuosos as they bring the magic and romance of Paris into perfect harmony with Tony Award®-winning orchestrations of unforgettable works by GEORGE GERSHWIN AND IRA GERSHWIN, including such classics as “I’ll Build A Stairway to Paradise,” “I Got Rhythm” and “The Man I Love.”
Don’t miss this fresh and breathtakingly beautiful new musical about a young American soldier and a beautiful French girl in the four-time Tony Award®-winning production that earned more awards than any other musical in the 2014–15 season, including Best Musical of the Year from both the Outer Critics Circle and the Drama League. As the Wall Street Journal says, “Once you’ve seen it, you’ll find it hard to settle for less ever again.”
Doors open 30 minutes prior to curtain time. The performance begins promptly at the time noted on your ticket. Latecomers will be seated at the discretion of management.
AN ELEGANT,ENTERAINING EXPERIENCE THAT WILL HAVE YOU SINGING AND HUMMING WONDERFUL OLD SONGS FOR DAYS AS YOUR MIND TRIES TO RECREATE THE MAGIC OF THE DANCE THAT ALLOWED YOUR EMOTIONS TO SOAR.
The dancing was incredible. I was completely captivated. I enjoyed the show very much. Would love to see it again!
I remember that it was a movie done in the 30's. It's been redone and it's timeless! The dancing was enchanting! Loved it from beginning to end! Totally engaging !
Great show! Dancing, singing and acting were fantastic. Loved the creative way they changed the sets between scenes. Final ballet scene was a bit long. But aside from that all around great show. I highly recommend it!
Had a fantastic time with my daughter was so happy to be there on opening night, the theater was electric and the show was amazing, it was a feast for the eyes and considering it was first time on Broadway for the 2 leads, they were incredible, we enjoyed every minute. I would say if you like musicals and especially the ballet, it's a must see.
This show is a game changer! It has brought the world of ballet and infiltrated it to the Broadway theater. I have always loved the ballet, but I hope that those who have not will gain a new appreciation for its beauty and ability for story telling. The dialogue can fall a bit flat at times, and I would have appreciated a bit more edge in the humor to lighten it up, but overall I thoroughly enjoyed it and would recommend it to friends
Great show, great actors. Thought that the set was simple but actually fits well and show how good the performers perform.
Fantastic dancing. Lead was great -Wow. sets were great and loved the costumes. Would recommend this show to everyone. While I sat in almost the last row in the balcony, really enjoyed seeing this show. Great Romantic story.
We have been to a lot of musicals. This one truly deserved all the accolades it received from the audience. Most people just give standing ovations automatically. This one deserved it. Sets, Lighting, Costumes, Choreography, Cast, Musical Score, Orchestra, etc. could not have been better. This musical is a Winner and must see.
Incredible dancing and staging. Entire cast was very strong. Tony bound.
Fabulous show with outstanding set, lighting and a great cast of singers and dancers. They would have made Gene Kelly proud.
loved the dancing, especially the female lead, just beautiful. All actors were great. Loved the scenery.
This was an unforgettable experience. The fantastically beautiful Gershwin music, the amazing dancing and the singers, made for a day I'll remember always. The talented performers are now Broadway stars, if they weren't before. I always loved the movie with Gene Kelly and Leslie Caron. This update was not a disappointment. I would go again.
Loved all the old Gershwin tunes and the cast was terrific. Energetic and believable characterizations!
A first class interpretation of an already unforgettable movie. Truly no weakness in anything: beautiful dancing, lovely songs, improved book (from the movie), delightful costumes, energetic stage projections, buoyant pacing, convincing acting!
Jerry & Lise (played by Robert Fairchild & the disarmingly beautiful Leanne Cope) have a palpable chemistry that makes this love story so enchanting. The lavish staging and dazzling choreography (by Christopher Wheeldon, also the director) shows in every scene. You'll leave the theater with a ear-to-ear, feel-good smile. S'Wonderful !!!
Gershwin , ballet, and a super talented amazing cast.... It was a terrific show .. Memorable and you want to sing along!!!! Don't miss this show -- it's our story-- history, music, and the pursuit of happiness, love and life!!!! And if you like innuendos and New York humor; there's a little of that in there also!!!
A wonderful performance of song and dance with wonderfully talented artists. The cast was extraordinary in their talents of singing AND dancing !! Not just in the leads but the cast at large. Wonderful choreography and staging. My favorite of 4 shows during my stay.
Fantastic production of An American in Paris. This is an exquisite, sophisticated, visual feast for the eyes with gorgeous orchestral arrangements of Gershwin. If you love beautiful dance, this is production is not to be missed.
Where do I start? Now I see why one goes to see new ballets repeatedly to see all there is to see. The magnificent choreography was almost but only almost upstaged by the phenomenal use of computer graphics and lighting to make the stage really feel like you were outside on a Paris street, inside the Gallerie Lafeyette, or in Radio City Music hall, and the staging for the FULL LENGTH BALLET which was just one of the many "musical numbers," was right out of the Pictures at an Exhibition which I just saw at the NYCB. The transitions were all Wheeldon, I'd seen the likes of them before, and the use of billowing flags and fabrics and glimmering panels was divine. The cast was obviously hand picked and the choreography and direction as you'd expect. We waited at the stage door because Scott Willis who played Monsieur Baurel is an old friend of Jen's from her touring Broadway show days and she choreographed him in a production of No No Nannette which he made sure toWhere do I start? Now I see why you go to see new ballets repeatedly to see all there is to see. The magnificent choreography was almost but only almost upstaged by the phenomenal use of computer graphics and lighting to make the stage really feel like you were outside on a Paris street, inside the Gallerie Lafeyette, or in Radio City Music hall, and the staging for the FULL LENGTH BALLET which was just one of the many "musical numbers," was right out of the Pictures at an Exhibition that we just saw. The transitions were all Wheeldon, I'd seen the likes of them before thanks to you, and the use of billowing flags and fabrics and glimmering panels was divine. The cast was obviously hand picked and the choreography and direction as you'd expect. And where do we start with Robert Gene Kelly Fairchild? I had to work hard to make my gasps inaudible. I especially liked a double axel (I thought only ice skaters did those) and the image of his easily clearing the department store counter with one leg on a turn stays with me. I'm going to watch the movie one night this week, well, just because I have to.
