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Pat Metheny

Jazz

Pat Metheny Tickets

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About

Jazz guitarist Pat Metheny is one of the most renowned artists of his generation. Across nearly 50 years, the endlessly creative Metheny has released 11 solo albums, 13 albums with his band The Pat Metheny Group, four live albums, and four compilation albums, and has won a whopping 20 Grammys. Specializing in contemporary jazz, Latin jazz, and jazz fusion, Metheny is the only person in history to win Grammys in 12 different categories.

Born in 1954 in Lee Falls, Missouri, Metheny (who is the younger brother of trumpeter Mike Metheny), began playing guitar at age 12. As a teenager, he taught at the University of Miami and Berklee College of Music and made his recording debut in 1974 with Paul Bley and Jaco Pastorius.

In the mid '70s, Metheny played in Gary Burton's group, where he met keyboardist Lyle Mays. The two ended up forming The Pat Metheny Group with bassist Mark Egan and drummer Dan Gottlieb. A risk-taking jazz player, Metheny's 1980 album 80/81 featured avant-garde tenor saxophonist Dewey Redman and 15-time-Grammy-winning jazz saxophonist/composer Michael Brecker. A few years later, Metheny formed a trio with Charlie Haden and Billy Higgins; and 1985 saw the release of Song X with his jazz hero Ornette Coleman. Around this time, Metheny also collaborated with Sonny Rollins, Herbie Hancock, Dave Holland, Roy Haynes, and Joshua Redman.

In the '90s, Metheny leaned into his experimental side even further with the noise-driven Zero Tolerance For Silence (1994). That same year, he also made his Blue Note Records debut with John Scofield on I Can See Your House From Here. The following year, Metheny and his band released We Live Here. Prolific as ever, Metheny released 1996's Quartet and his score for the film Passaggio Per Il Paradiso.

In 1997, Metheny and bassist Charlie Haden recorded an acoustic album as a duo called Beyond The Missouri Sky (Short Stories). Soon after, The Pat Metheny Group released the album Imaginary Day. In the late '90s, Metheny did a duet album with Jim Hall and scored Warner Bros.' A Map Of The World.

Moving into the 21st century, Metheny and his band released 2002's Speaking Of Now, 2003's acoustic solo album One Quiet Night, and got the group back together for 2005's Way Up. In 2006, Metheny and pianist Brad Mehldau released their joint album, Metheny Mehldau, and followed it up with 2008's Day Trip.

Into the 2010s, Metheny remained as prolific as ever, releasing 2010's Orchestrion, which, via the use of a MIDI-powered "robot" orchestra, Sound On Sound declared "an unparalleled technological feat." In 2011, Metheny released a solo acoustic album, What's It All About, featuring covers of contemporary pop performers such as Paul Simon and John Lennon, among others. What's It All About won a Grammy for Best New Age Album. In 2012, Metheny teamed up with saxophonist Chris Potter, drummer Antonio Sánchez, and bassist Ben Williams to release Unity Band, which won Best Jazz Instrumental album at the Grammys in 2013.

In spring 2013, Metheny reimagined works from John Zorn's Masada Book Two with Tap: Book of Angels Volume 20. All the while, his Unity Group continued touring and went back into the studio, releasing Kin in February 2014. The next year, Metheny paid tribute to the famed bassist Eberhard Weber, who suffered a stroke in 2007 and has not performed live since. Metheny shared the stage with saxophonist Jan Garbarek and vibraphonist Gary Burton, and the tribute, Hommage à Eberhard Weber, was released in September 2015.

In more recent years, Metheny has released 2016's Cuong Vu Trio Meets Pat Metheny (with trumpeter Cuong Vu) and toured the world for two years as a quartet with Sánchez, Malaysian/Australian bassist Linda May Han Oh, and pianist Gwilym Simcock. Their debut album, From This Place, was released in February 2020.

In 2020, Metheny left longtime label WEA/Nonesuch and joined BMG's Modern Recordings. His 2021 label debut, Road To The Sun, featured Metheny in the composer role; he wrote music for classical guitarist Jason Vieaux and the Los Angeles Guitar Quartet. Also in 2021, Metheny released Side-Eye NYC (V1.IV), which featured a rotating cast of younger musicians, including drummer Marcus Gilmore and keyboardist James Francies.

Reviews

Rating: 4.6 out of 5 based on 841 reviews
  • Rating: 5 out of 5

    Outstanding! Metheny is a guitar legend.

    by RichE on 4/14/24State Theatre - Portland

    I’d never seen Metheny perform before so I have no reference to compare this performance to, but I was seriously impressed. His music is engaging, clever and a joy to hear. His guitar playing, well, simply phenomenal. He’s a guitar virtuoso. The encore was fascinating as he was backed by a delightfully kooky musical contraption and built on licks from his various guitars. He was very chatty with the audience revealing a lot about his history. Very personable and charming. A wonderful performance all around from a true guitar icon. One issue though. Several times during Pat’s playing you clearly hear someone in the back bar spray cleaning in the sink. Not a noise you want to hear while you are listening intently to an artist’s performance. Embarrassing. Can only imagine how disrespected Metheny felt. Would have thought the Theatre knew better.

  • Rating: 5 out of 5

    A Singular Artist

    by BB on 4/14/24

    Like many reviewers here my wife and first saw Pat (with his Pat Metheny Group) at a concert at Southampton College on Long Island more than 40 years ago. Since then we seen him multiple times with various brilliant ensembles. Last night’s solo show at the Bardavon Opera House in Poughkeepsie NY was quite simply one of the most exceptional musical experiences in my life…which includes seeing the Brubeck Quartet just after Time Out was released, Cream on their first US tour, Gary Burton, Frank Zappa, Butterfield Blues Band, Hendrix, Rahsaan Roland Kirk, McCoy Tyner, Pharaoh Sanders (and many others at the Village Vanguard)…the list really is too long to share here. I cannot add to what has already been said here about Pat’s unique brilliance, other than to extend a most sincere thank you to a true creative genius. We are lucky to have you in our lives.

  • Rating: 2 out of 5

    State Theater

    by Wolfpax on 4/13/24State Theatre - Portland

    The State Theater is an incredibly horrible venue to hear music if you are seated anywhere except near the very front. Otherwise there is a very disturbing and annoying sound from the air hand dryers in the restrooms. Don’t even bother attending if you aren’t in the first few rows. It is unbelievable that any music venue would let so loud a disturbing, distracting sound be heard. Horrible experience. What an insult to the musicians as well as the audience.

  • Rating: 3 out of 5

    Excellent musician, poor theater

    by Craig on 4/13/24State Theatre - Portland

    I've seen Pat Methany several times in different venues. The State Theater in Portland, Maine had some background noises throughout the show. Very distracting! Couldn't tell if it was the cocktail bar (blender) or the bathroom (hand drier), but it was heard repeatedly throughout the show. I noticed several other members of the audience showing their disapproval of the distraction. Methany should have stopped performing until it was dealt with. I won't go back to the State Theater until they have rectified this issue.

  • Rating: 5 out of 5

    One of the best concerts I ever saw.

    by Bluesbabe on 4/13/24State Theatre - Portland

    Metheny only gets better and better. I've been lucky to have seen him play several times over the years. His playing last night at the State Theater was one of the most exciting concerts I ever attended. His jazz improvising was superb, smooth, original and assured. Every time he came out to play another encore he got another standing ovation. It's impossible to adequately describe the original stage presentation. Eight guitars were hiding in corners under black drapes. One of them had 42 strings! The black curtain at the back of the stage was removed to reveal a long array of percussion equipment and strange Oriental gongs that played by themselves! Totally amazing concert by a master musician.

  • Rating: 4 out of 5

    Metheny was Exceptional but not Great

    by Jazz-N-207 on 4/13/24State Theatre - Portland

    As we all know who follow and listen to Pat Metheny he is an exceptional guitarist and musician and personally always performs live show with captivating brilliance. His appearance as a soloist (especially noting Picasso as a favorite) was very different but being honest I love the camaraderie of seeing and hearing the interactions of a small trio, the percussion section and a piano. And hey, not taking anything away from what Pat performed and the intimate dialogue with audience which was fantastic, it just was different and slightly disappointing. Further honesty speaking at the State Theatre the background noise from the venue facility carried into the auditorium hearing the hallway bathroom hand driers during quiet passages of the concert. I’ll always enjoy seeing Pat Metheny, just hope a group accompanying him rather than just Artificial Intelligence via guitar loops and impressive programmed percussion.

  • Rating: 5 out of 5

    The Most Talented Pat Metheny

    by Daniel on 4/13/24State Theatre - Portland

    Absolutely Fantastic one of the best concerts I have ever been to and I have been to many many

  • Rating: 5 out of 5

    Metheny Keeps Improving

    by Richard O on 4/13/24State Theatre - Portland

    Pat Metheny may be almost 70, but every time I see him play he has a new skill, has explored some new avenue, or has something different to share musically. Amazing! Unfortunately, the State Theater's incredibly loud hand dryers in the restrooms were very audible at inopportune times during this (often quiet) concert. They should be unplugged for a performance like this so the audience and artist are not jarred by their annoying whooshing sound interrupting the beautiful music.

  • Rating: 5 out of 5

    Excellent Concert with Pat. Very intimate venue.

    by JoeW on 4/7/24Lexington Opera House - Lexington

    The evening went very well. Restaurants close at hand for dinner before. The concert sound was excellent, with Pat Metheny playing guitars being the feature instruments. The whole experience was very enjoyable.

  • Rating: 5 out of 5

    A bucket list experience

    by Bret on 4/6/24

    "Let me invite you into my living room to tell the story of my musical career..."should probably be the long name for this tour. One of the better 2 hours I've spent in a while. Though I had the misfortune of being seated next to three cretins, they couldn't ruin an immensely enjoyable musical evening in Charlotte. I did have the incredible good fortune of speaking to Pat at the hotel after the show, though my attempt at explaining our shared birth-date probably failed. Nevertheless, he thanked me for letting him in and I thanked him for a great show.