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Matt Goss

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Matt Goss Tickets

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About

Former teen heartthrob Matt Goss has come a long way since his denim-clad days as lead vocalist and one third of ‘80s boy band Bros. With twin brother Luke taking care of the drums and vocals and bass player Craig Logan, Bros enjoyed a string of hit singles before disbanding in 1992. At the peak of their powers, Bros smashed records across the world, including being the first group to sell out Wembley Arena for a 15-night concert series. Just around the corner from the arena, Matt led Bros into the iconic Wembley Stadium, becoming the youngest man to headline the venue - an achievement he still holds today.
Upon embarking on his career as a solo artist, Goss released his debut album, The Key, in 1995. Changing direction to a more adult-oriented dance sound, Goss collaborated with producer Paul Oakenfold on trance inspired single “Firefly” in 2010. Focusing on writing rather than performing, brought Matt Goss a new found lease of success. In writing the theme for the US TV show So You Think You Can Dance and the track “Change Me,” as recorded by Akon and Keri Hilson, Goss opened himself up to a whole new market. The track “Lovely Las Vegas” was even used by NASCAR as a theme song, which led to Goss performing for 140,000 people at the NASCAR Las Vegas event.
Yet another direction change saw Goss reinvent himself as a Las Vegas headline act. Working with Robin Antin, whose previous credits include the Pussycat Dolls, to create a contemporary rendition of a classic Rat Pack era Vegas show, Matt Goss signed a lucrative three-year contract to headline Caesar's Palace in 2010, following in the footsteps of acts like Elton John and Celine Dion. The live show featured a nine-piece live band and a dance troupe, and is comprised of tracks from Goss's career alongside classic Rat Pack era tracks.
2013 saw the release of the album Life You Imagine, produced by Ron Fair, who has previously been at the helm of albums by Black Eyed Peas, Mary J Blige, U2, Lady Gaga and Christina Aguilera. Fair enlisted the support of a full-sized Hollywood-style orchestra for the album, which contains both new original material and a big band reworking of the Bros hit When Will I Be Famous.

Reviews

Rating: 4.4 out of 5 based on 162 reviews
  • Rating: 5 out of 5

    BEST SHOW ON SUNDAY’S

    by PAULV on 8/29/191OAK at Mirage - Las Vegas

    Excellent show,I seen him twice. Excellent energy, beautiful performer, A must see if your are in town on Sunday’s! I’m a local. Highly recommend seeing him.

  • Rating: 5 out of 5

    Amazing

    by Wendo73 on 5/22/191OAK at Mirage - Las Vegas

    This is my 2nd visit to see Matt he is absolutely amazing the best show in Vegas , he is entertaining and captures the audience with his personal stories , he also personally acknowledges every person in the room. Am just gutted he’s only performing once this week while I’m here on holiday from the UK.

  • Rating: 5 out of 5

    Outstanding

    by DSK on 3/1/191OAK at Mirage - Las Vegas

    An incredible performance from a man of Style, Class and a personal interactive experience of pure genius. He really is the new king of Vegas. Put him on top of your shows to see

  • Rating: 5 out of 5

    The best show in Town

    by Noodles66 on 9/26/181OAK at Mirage - Las Vegas

    Without doubt the best night I’ve had in Vegas, ever!!

  • Rating: 5 out of 5

    Great Vegas show!!!!

    by Anonymous on 8/8/18Matt Goss - Las Vegas

    We have seen Matt at Cleopatras Barge at Ceasers and at the Oak 1 at the Mirage. I am trying to book tickets for Dec 7th, but no dates available yet for that venue. I am a local and this guy is incredible. When the show is over you are like NO!!!! He could bring the dead back to life. He just was awarded the keys to the Strip. If you're in Vegas this is a must-see show. You can not help but fall in love with him. He may not be from Vegas, but he belongs to us. The Oak is a lot better venue for him. I hope he is still there in December, as I am booking tickets for Ron White and his show does not start till 10 pm, so I am hoping to grab Matt's show first. Mirage is an excellent casino and while I have not over-nighted there you could spend the whole day, it is very nice.

  • Rating: 5 out of 5

    Matt Goss was just amazingly perfect!!

    by Isa1904 on 10/26/16The Fox Theater at Foxwoods Resort Casino - Mashantucket

    Was an amazing show on Saturday, really had a fabulous time as well as lots of peace after very long travels! Thank you very much Foxwoods for the great times last Saturday! Wishing you all a very nice and happy day or evening!! XOX

  • Rating: 5 out of 5

    Amazing show

    by Cayti on 1/26/16Caesar's Palace - Las vegas

    I treated myself to a trip to Vegas for my 40th birthday. Top of the list was seeing Matt Goss and, boy, I was not disappointed. The Gossy room was intimate and welcoming and we had a great view even though we were right at the back. The door staff were very polite and showed us to our seats. We got chatting to other people in there and made some new friends too - the atmosphere was very friendly. The show itself is very engaging and whilst the ladies are swooning over Matt, he has cleverly provided something for the guys to look at too - the lovely Dirty Virgins - Matt's backing dancers. Matt chats to the audience, which makes it a very interactive experience and he puts the guys at ease too who may initially have felt a little awkward at accompanying their missuses to a Matt Goss show! He sings a mixture of his jazzed up old songs in a swing style, some of his new material and a brilliant rendition of Hotel California, in which he gets fully involved in jamming with his fantastic band. I popped to the ladies at one point and so powerful is his voice that is can still be heard outside the Gossy Room, and not a single note was missed. Overall, the tickets are reasonably priced, which affords great value for money, the mood was fun and uplifting, the man knows his art and if you give Matt a go you certainly won't go away disappointed.

  • Rating: 1 out of 5

    I WALKED OUT

    by Chifrank on 8/9/15Caesars Palace - Las Vegas

    Matt Goss is a sexy guy with very little singing talent. He attempts to hide that sorry reality with a 7-piece band, backup singers and smoke effects. Neither does his songwriting ability impress. (He performs many of his own compositions during this tortured act). What is laughable is how impressed he is with himself, as evidenced by all the inside jokes, mugging and smirking with his fellow performers. Goss is a shallow performer, who would be bumping his head as a lounge act. To have his own showroom, even an improvised remake of the Cleopatra's Barge dance-floor, shows how anything can be sold with sex in Vegas. The only thing this guy has in common with Sinatra is that he is trying to hide his receding hairline with a fedora. Pathetic. Just awful.

  • Rating: 2 out of 5

    Goss is average

    by 30yearCTfan on 3/11/14Gossy Room Caesar's Palace - Las Vegas

    A very long wait to be seated and for Goss to finally appear on stage, 10:05 for a 9:30 show. He seemed cranky that the audience wasn't loving him enough, made several references to us being quiet. Band was great. Seating is very poor unless you buy $$ VIP. Overall, disappointed and wouldn't recommend.

  • Rating: 1 out of 5

    Goss is pretentious, rude, and minimally talented

    by AmericanMusician on 6/6/13Gossy Room, Caesar's Palace - Las Vegas

    Lets start with the facts. Matt Goss is a mediocre singer at best. He sings out of key, hits wrong notes, and has virtually no real technique. His style is fake and he painfully forces inflection into his voice. Moreover, he treats his band horribly. He doesn't even have the decency to introduce them on stage, even though they are the only thing that make his show worth watching. The room at Caesar's Palace is very nice, but having to wait 30 minutes to enter and then starting the show at least 30 minutes late is inexcusable. The band is good, with a strong horn section. The dancers are attractive, if somewhat pointless because of the small stage and venue. To make the claim that Goss is the king of Vegas or the next Sinatra is simply untrue and preposterous. He just doesn't have the raw talent of Sinatra, much less that of more than a dozen other singers in Las Vegas who blow him out of the water every night, even though he only performs twice a week. His obvious obsession with his image may have something to do with his lack of skill in his chosen craft. Perhaps a little less time in the make-up chair and a little more time in the practice room is a good idea for him. To be perfectly honest I found him to be incredibly hypocritical as well. He talks and talks onstage about what a gentleman he is and how he believes in civility and then proceeds to demean his band, singers, and dancers as well as the audience with crude sexual innuendo. Goss covers a number of songs in his show from Hotel California to I've Got the World on a String. He doesn't have the vocal range to properly sing most of these tunes, particularly World on a String and Luck be a Lady. No one wants to hear a singer straining to reach a pitch that is quite obviously beyond him. He, at least, can sing his own tunes, but unfortunately most of them are melodically pointless and harmonically ambiguous. Again, his band is the only thing that saves these from utter failure. I was also unimpressed with his attitude in general. He spends a great deal of time talking about himself and his life particularly emphasizing how great he is and all of the amazing things he's done, while simultaneously inferring that he has had an incredibly difficult life from which he has had to fight his way out of. Quite frankly, anyone who had a major label record deal at 17, and then went on to tour the world and spend millions of dollars should probably just shut their mouth about how hard their life was. Its condescending and pretentious. In conclusion, I'd like to make one final point. The production of the show is quite good, the room is very nice, the staff were good, the band is solid, the dancers are attractive, lights and sound were topnotch. If the producers were to remove just Goss and replace him with an actual singer who was engaging, talented, humble, creative, and funny they would have one hell of a good show on their hands. As it stands now, they do not.