Directions:

On Bleecker at the east corner of Lafayette, on the North side of the street.

Parking:

Parking garage on Bond St., Between Bowery and Lafayette. Paid parking in the area and some street parking available. Parking lot on Astor Place just North of the Public Theatre.

Public Transportation:

By Subway:
Take #6 to Bleecker St. Take B,D,F or Q to Broadway/Lafayette Stop Take N or R to Prince St. stop and walk North and East to Bleecker and Lafayette.

Box Office Numbers:

(212) 253-9983

Box Office Hours:

Monday, Wednsday, Thursday: 2:00pm-9:00pm
Tuesday: 2:00pm-7:00pm
Friday: 2:00pm-11:00pm
Saturday: 10:00pm-11:00pm
Sunday: 2:00pm-8:00pm

Types of Payment Accepted:

Cash, Check, Visa, Master Card, Amex

Will Call:

Tickets may be picked-up 1 hour prior to performance. Customer must present the actual credit card used to purchase tickets as well as a photo ID.

Accessible Seating:

Handicap accessible, Please call (212) 253-9983 to make arrangements

General Rules:

No Smoking in Theatre

Children Rules:

Parents should call (212) 253-9983, to check appropriateness of age. No special Children rates available.

Miscellaneous:

GUARDIANS:
The images of war. Snapshots from Abu Ghraib that depict atrocities committed in the name of freedom. Tabloid images of English soldiers abusing an Iraqi prisoner that are later revealed as fakes. And somewhere between England and America, between savagery and spin, lies the truth. A new play dares to imagine the truth behind the images that shocked the world.

BIG SHOOT:
RPN Globe LLC and The Culture Project present the first U.S. production of the French play Big Shoot by Koffi Kwahulé with English translation by Chantal Bilodeau. Directed by Gabriella Maione (Quartett at Brooklyn Academy of Music) with Music by Michael Galasso, the two-character play features Tom Brangle and Thomas Francis Murphy.

Written in 1999 after Kwahulé's return from a visit to Rwanda, Big Shoot is a politically energizing play dealing with themes of torture, terrorism and power. It is a confrontation between two men -- an interrogator and his suspect -- and the complex relationship they build. The play comes to life as the interplay between the two men takes place. It is a game of power, humiliation and the meaningful issues aroused about our contemporary world.

"The play not only reflects dark events," says playwright Koffi Kwahulé,
"but also turns them inside out, probing and challenging our fundamental beliefs on morality, justice and freedom."

AMAJUBA:
This highly acclaimed play from London offers five intimate narratives, interwoven with dance and songs, about growing up in apartheid South Africa. Created and directed by Edinburgh Fringe First Winner, Yael Farber, the production celebrates the capacity of the human spirit to rise above adversity.